It’s hot outside, but cool in our store…

NEW RELEASES June 16, 2017:

Steve Earle: So You Wannabe an Outlaw
New release from musician, songwriter, actor and author Steve Earle and his country rock band The Dukes. So You Wannabe an Outlaw, Earle’s first album for Warner Bros. Records since 1997’s El Corazón, explores his country songwriting roots and features collaborations with Willie Nelson, Johnny Bush, and Miranda Lambert. So You Wannabe an Outlaw is an homage to outlaw music and is dedicated to the late Waylon Jennings. “I was out to unapologetically ‘channel’ Waylon as best as I could.” Earle says. “This record was all about me playing’ on the back pick-up of a ’66 Fender Telecaster on an entire record for the first time in my life. The vocal part of it is a little different. I certainly don’t sound like Waylon Jennings. I moved to Nashville in November of 1974, and right after that Willie Nelson’s Red Headed Stranger came out. I was around when Waylon was recording Dreaming My Dreams. Guitar Town (Earle’s 1986 chart-topping, Grammy Award-winning debut album) wound up being kind of my version of those types of songs,” Earle recalls. Earle is backed on So You Wannabe an Outlaw by his long-time band The Dukes – guitarist Chris Masterson, fiddle player Eleanor Whitmore, bassist Kelly Looney, and new members drummer Brad Pemberton and pedal steel player Ricky Ray Jackson. The album was produced by Richard Bennett and recorded at Arlyn Studios in Austin.

Jason Isbell: The Nashville Sound
from the Grammy Award-winning singer, songwriter, guitarist Jason Isbell and his mighty band, The 400 Unit. The Nashville Sound is the follow up to 2015’s critically acclaimed Something More Than Free, which won two Grammy Awards (Best Americana Album and Best American Roots Song, “24 Frames”) and two Americana Music Association Awards (Album of the Year and Song of The Year, “24 Frames”). Without exaggeration, Jason Isbell has become one the most respected and celebrated songwriters of his generation. He possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. “There’s no better songwriter on the planet at this moment, no one operating with the same depth, eloquence or feeling,” says American Songwriter Magazine. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty, and the new album is no exception.

Fleet Foxes: Crack-Up
the long-awaited and highly anticipated third album from Fleet Foxes. Crack-Up comes six years after the 2011 release of Helplessness Blues and nearly a decade since the band’s 2008 self-titled debut. All eleven of the songs on Crack-Up were written by Robin Pecknold. The album was co-produced by Pecknold and Skyler Skjelset, his longtime bandmate, collaborator, and childhood friend. Crack-Up was recorded at various locations across the United States between July 2016 and January 2017: at Electric Lady Studios, Sear Sound, The Void, Rare Book Room, Avast, and The Unknown. Phil Ek mixed the album, at Sear Sound, and it was mastered by Greg Calbi at Sterling Sound.

Royal Blood: How Did We Get So Dark?
The ten tracks that are featured on How Did We Get So Dark? were written in instrumental form during sessions in Brighton, Los Angeles and Nashville. Always trying to explore ways of stripping their enormous sound back to give it more space and impact, inspiration for the lyrics came from events in vocalist/bassist Mike Kerr’s life since the band first found huge success. While the album finds Royal Blood refining their melodic might, there are other moments that fulfil their aim to create songs that will add new dimensions to their live sets. Adorned with Kerr’s falsetto, ‘Don’t Tell’ drops the intensity to mesmerizing effect, while ‘Where Are You Now?’ pulsates with a bounding energy that’s quite a step apart from anything else in their catalogue. The Royal Blood palette is also expanded with the inclusion of harmony vocals – something that they didn’t use on their debut.

Cheap Trick: We’re Alright!
Cheap Trick is an indisputable American institution, beloved around the globe since 1974 for their instantly identifiable and hugely influential brand of pop rock ‘n’ roll. Recording for four decades, We’re All Alright! Marks the Rock And Roll Hall Of Fame inductees 18th studio album. Having an excess of 20 million sales and more than 40 gold and platinum certifications for their multi-award winning catalog, this quartet continues their reign as the top progenitors of power pop.

Van’s 2017 Warped Tour Compilation: 2 CD set

Portugal The Man: Woodstock
the eighth studio album from the Wasilla, Alaska -based alt-rock band. “We worked with so many rad people on this album, but ended up with just the four of us in a basement at 4am trying to say something that mattered. Trying to write music that would help people feel they’re not alone, even if they’re angry or feeling lost.” – John Gourley, lead singer. Portugal. The Man was originally started as John Gourley’s side project (he was previously with Anatomy Of A Ghost) with Zachary Carothers playing bass. Before they had a drummer, they used drum machines and synth-loops as the backing beat.

Jim Gaffigan: Cinco
In Cinco, Gaffigan explores why cable news anchors have to be so attractive, the pointlessness of hiking, and America’s fascination with pickup trucks. This is the fifth stand up special from Grammy nominated Gaffigan. His first four specials include Beyond the Pale -2006, King Baby -2009, Mr. Universe -2012 and Obsessed -2014. Obsessed premiered at #1 on iTunes which marked the fifth time Gaffigan reached the Top 25 Comedy category on iTunes. The album also earned a nomination for ‘Best Comedy Album of the Year’ at the 2015 Grammy Awards.

Ride: Weather Diaries
Ride’s first album in over twenty years, Weather Diaries, will be released June 16th via Wichita Recordings. The album was produced by legendary DJ, producer and remixer Erol Alkan, and is packed with all the classic elements that made Ride one of the defining bands of the early ’90s. Trembling distortion, beautiful harmonies, pounding rhythms, shimmering soundscapes and great songwriting all combine to make an album that’s ambitious in scope, timeless and thoroughly addictive. The album will be released through Wichita Recordings and sees the band reunited with label co-founders Mark Bowen and Dick Green, who worked with Ride during the band’s early years on Creation Records. It also brings the band back together with mixer Alan Moulder (Arctic Monkeys, Smashing Pumpkins, The Killers) who mixed their seminal 1990 album ‘Nowhere’ and produced it’s follow up ‘Going Blank Again.’

Big Bad Voodoo Daddy: Louie Louie Louie
Big Bad Voodoo Daddy, the incomparable kings of swing, announce Louie! Louie! Louie!, an electrifying celebration of jazz legends Louie Armstrong, Louie Jordan and Louie Prima. On their 11th album and third for iconic label Savoy Jazz, the band is sharper than ever as they pay homage to their jazz heroes. Produced by founder and lead singer Scotty Morris, the album reveals the evolution of swing, jazz and popular music through the songs and personalities of these three giants of American culture. Big Bad Voodoo Daddy first found fame in the ’90s during the long-overdue Louis Prima revival that suddenly brought swing bands from coast to coast to greater prominence. But Big Bad Voodoo Daddy was always among the best of the lot with a really tight band that could jump, jive and wail just like their many musical heroes.

Big Boi: Boomiverse
solo release from on-half of Atlanta’s legendary hip hop duo Outkast. Boomiverse is his first solo album since Vicious Lies And Dangerous Rumors in 2012. The album includes the singles “Kill Jill” plus “Mic Jack,” featuring Adam Levine of Maroon 5. The album also features appearances from Killer Mike, Jeezy and others.

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