Here are some New Releases :
Cardi B ! Invasion Of Privacy is RIAA Gold certified – making Cardi B the first female artist to achieve a Gold certified album on the day of it’s release. The record-breaking album was heralded by surprise releases, “Be Careful” and “Drip” featuring Migos. The album also features a blockbuster line-up of appearances including Chance The Rapper, SZA, Migos, Kehlani, Bad Bunny, J Balvin, and YG.
Dale Watson: Call Me Lucky
Over the last three decades, honky-tonk legend Dale Watson has carried the torch for pure country music. A fixture of the Austin, TX, music scene for years, Watson has a new home base, Memphis, TN and recorded all but one song on his new Red House Records elease, CALL ME LUCKY, at historic Sam Phillips Recording studio in Memphis. The album features some of city’s finest as well as Dale’s longtime band, His Lone Stars, and includes a horn section on some of the tracks. With nods to the Man in Black and Hank, Watson pays homage to the greats and proves he’s the real deal.
Elvis Presley’s The Best Of The ’68 Comeback Special is a new companion album to “Elvis All-Star Tribute,” NBC’s upcoming star-studded special celebrating “The King of Rock ‘N’ Roll’s” unforgettable 1968 television special.
Galactic: Already Ready Already
For over 20 years, Ben Ellman, Robert Mercurio, Stanton Moore, Jeff Raines, and Rich Vogel have been exploring the seemingly limitless musical possibilities born out of their work together as Galactic. Over those years, the seminal New Orleans band has consistently pushed artistic boundaries on the road and in the studio, approaching their music with open ears and drawing on inspiration as much from the sounds bubbling up from their city’s streets as they do from each other.
Hayes Carll: What It Is
What It Is – Hayes Carll – On What It Is, the Houston, TX troubadour Hayes Carll is leaving the past behind. “I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work,” Carll says. The new album covers a broad range of topics both timely and constant; the desire to bridge the country’s political divide, the ups and downs of relationships, and the challenge to stay present in your life as it goes by. What It Is continues the artistic risk-taking initiated by 2016’s Lovers and Leavers; his voice is strong and assured, and his songwriting as truthful as ever.
Colin Linden & Luther Dickinson: Amour
Amour is the first collaboration between famed Colin Linden (Blackie and the Rodeo Kings, ABC’s hit TV show “Nashville)” and Luther Dickinson (North Mississippi Allstars, Black Crowes). It is made up of a collection of classic love songs from Americana, featuring vocalists from Nashville. Both Linden and Dickinson are true veterans of Roots music having played with and produced the biggest names in the business while displaying the mantle of countless awards and accolades to reflect that. Amour was recorded and produced by Colin Linden with the intention of warming hearts everywhere and truly expressing the passion of Americana.
Marley’s Ghost: Travelin’ Shoes
With a dozen albums to date Seattle-based Marley’s Ghost survey a broad scope of Americana and acoustic music, refusing to confine themselves to any singular niche. Their aptly named Travelin’ Shoes veers down a similar path with 12-songs offering an assured selection of traditional gospel tunes, each delivered with the rich, dynamic, vibrant instrumentation and tightly locked communal harmonies that have been integral elements in Marley’s Ghost’s m.o. for well over 30 years.
Produced by acclaimed virtuoso Larry Campbell (Bob Dylan, Levon Helm), who was previously behind the boards for their highly acclaimed 2016 album The Woodstock Sessions, Travelin’ Shoes is a joyous and surprisingly diverse set of songs, a celebratory salute to the finest traditions of American music. From the compelling, banjo-plucking, back porch delivery of the title track, the crisp, Caribbean flavor of “Run Come See Jerusalem,” and the festive sing-alongs “Hear Jerusalem Moan” and “So Happy I’ll Be,” to the goodtime feel of “Someday” and the upward gaze and chorus of clapping that informs “You Can’t Stand Alone,” it’s an album that will have even the most confirmed skeptics, cynics and agnostics sharing in the sentiment.
Mavis Staples: LIVE in London
Mavis Staples has been a soul and gospel music legend for more than 50 years. Her work fronting the legendary Staples Singers defined the sound of politically-committed soul and influenced generations of musicians. As a solo artist in her own right, she has helped to define much of what is righteous and soulful in American music. There are few people who can claim to have been performing as long as Mavis Staples, let alone to her standards. This album captures her live at the Union Chapel in London with her band performing some of the greatest songs from her musical catalog, while celebrating her 79th birthday.
Ryan Bingham: American Love Song
American Love Song finds Bingham honing his creativity on two distinct levels, the personal and the cultural. The record is co-produced with Charlie Sexton, the superb Austin guitarist who has played for years in Bob Dylan’s touring band. American Love Song was recorded at Arlyn Studios and Public Hi-Fi in Austin with additional recording at Matter Music/Stella Sound in Los Angeles.
Tedeschi Trucks Band: Signs
Signs is the fourth studio release from Tedeschi Trucks Band and offers another outstanding example of their ability to expand musical boundaries in ways that only a rare caliber of musician can achieve. Signs showcases the band at their best – combining inventive musicality and provocative lyrics across eleven original tracks, running the gamut from uplifting soulful anthems, to bittersweet ballads and driving rock and roll. The album was recorded at Derek and Susan’s home studio, Swamp Raga, on two-inch analogue tape giving it a warmth and richness that recalls the ambience of the best vintage recordings.
Sharon Van Etten: Remind Me Tomorrow
Remind Me Tomorrow was written in stolen time. In the four years since Are We There, Van Etten guest-starred in The OA, performed in David Lynch’s Twin Peaks revival, and wrote her first film score and song for TV – for Kathering Dieckmann’s Strange Weather Tig Notaro’s show Tig, respectively. Van Etten also had a child, and began studying psychology. In the scraps of hours between these endeavors, Remind Me Tomorrow was born. Working with producer John Congleton, Remind Me Tomorrow reveals piano keys that churn, deep drones, distinctive sharp drums. Originally a piano ballad, “Comeback Kid” evolved into a dark, menacing anthem. “Seventeen” began as a Lucinda Williams-esque dirge, but winds up a star-spangled nod to Springsteen, exploring gentrification and generational patience. The breadth of Van Etten’s new passions have inflected Remind Me Tomorrow with a wise, warped-time perspective. She explains, “I want to be a mom, a singer, an actress, go to school, but yeah, I have a stain on my shirt, oatmeal in my hair. I feel like a mess, but I’m here. Doing it. This record is about pursuing your passions.” This is Remind Me Tomorrow, fusing a pained attentive realism and radiant lightness about new loves.
Guster: Look Alive
Look Alive – Guster’s first new album in four years – was produced by Leo Abrahams (Regina Spektor, Brian Eno/David Byrne, Belle and Sebastian) and recorded in a vintage keyboard museum in Calgary, AB, with additional sessions helmed by John Congleton (St. Vincent, Alvvays) and Collin DuPuis (Angel Olsen, Lana Del Rey). It captures the group – Adam Gardner, Ryan Miller, Luke Reynolds, and Brian Rosenworcel – at an inspired moment, creating the most layered, moody and brilliantly unpredictable music of their storied career. Perhaps it was the 30 degree below zero weather that inspired Abrahams to encourage Guster to embrace “cold sounds” during the making of Look Alive. The album’s title track opens with a stark, haunting synth refrain and veers in unexpected directions from there. “Despite having access to room after room of well-maintained analog keys, Leo gravitated to a cheap Ensoniq Mirage synth from the 1980’s,” recalls Rosenworcel. “It was the beginning of a stylistic clash that played out beautifully.”
Deerhunter: Why Hasn’t Everything Already Disappeared?
Deerhunter’s eighth LP forgets the questions and makes up unrelated answers. It gets up, walks around, it records itself in several strategic geographic points across North America. It comes home, restructures itself and goes back to bed to avoid the bad news. From the opening harpsichord and piano figures of “Death in Midsummer,” it is impossible to tell where the record came from. Is “No One’s Sleeping” an outtake of an aborted Kinks recording session in 1977 Berlin with Eno producing? No. That is nostalgia. If there is one thing Deerhunter are making clear it is that they have exhausted themselves with that toxic concept.
Malibu Ken with Aesop Rock
Aesop Rock has been credited as one of the most verbose MC’s in hip-hop today. Known for his dense and abstract wordplay, he manipulates language to illustrate elaborate stories and difficult concepts with sharp clarity. Tobacco is a member of psych-electronic band Black Moth Super Rainbow. Known for working with pre-digital electronic instruments like analog synths and tape machines, he crafts distorted, experimentalist beats that intertwine feelings of tension and anxiety with sensations of bemusement and pleasure.
Backstreet Boys: DNA
DNA is the ninth studio album by the Backstreet Boys. The album features tracks written by Lauv, Andy Grammer, and Stuart Crichton. It was preceded by the singles “Don’t Go Breaking My Heart” and “Chances”. The album is their first on Sony Music Entertainment since In a World Like This (2013) which was released independently through BMG. Band member Kevin Richardson said of the album: “We were able to bring all of our influences and styles into one coherent piece of work. These songs are a great representation of who we are as individuals and who we are as a group. It’s our DNA. We’re really proud of that.”
Linda Ronstadt First LIVE album
LIVE IN HOLLYWOOD features amazing performances from a concert that Ronstadt recorded in 1980 for her acclaimed HBO television special. Recorded on April 24, 1980 at Television Center Studios in Hollywood, and produced by John Boylan, the concert captures Ronstadt at the peak of her reign as America’s most popular female rock singer. For LIVE IN HOLLYWOOD, Ronstadt selected 12 of her favorite performances from the original concert.
New Santana !
In Search of Mona Lisa is a 2019 five-track EP from the legendary Santana. It was inspired by Carlos Santana’s interaction with the Mona Lisa painting at the Louvre in Paris, France. The EP was produced by Narada Michael Walden and Carlos Santana.
Walter Trout: Survivor Blues
Walter Trout is no ordinary artist. Survivor Blues is no ordinary covers album. From the day he conceived the project to the moment he counted off the first song in the studio, Walter Trout had a bolder plan for Survivor Blues. “I’m riding in my car sometimes,” says the US blues titan. “I’ve got a blues station on – and here’s another band doing Got My Mojo Workin’. And there’s a little voice in me that says, ‘Does the world need another version of that song?’ So I came up with an idea. I didn’t want to do Stormy Monday or Messin’ With The Kid. I didn’t want to do the blues greatest hits. I wanted to do old, obscure songs that have hardly been covered. And that’s how Survivor Blues started…”
Sneaks: Highway Hypnosis
Just as she takes up space in the male-dominated Baltimore-Washington metropolitan area punk scene, Sneaks – AKA Eva Moolchan – takes up space among the patriarchy. Highway Hypnosis, plays on hip-hop, post-punk, and invented words to fill a gap between the feminist underground and genre-specific singles charts. Through it, Moolchan joins the resistance forged by queer black feminists who create, explore, empower, conquer, and play bass.
Mike Krol: Power Chords
Power Chords picks up where 2015’s Turkey left off. It traces Krol’s journey back to punk rock, harnessing both the guitar technique and the musical redemption referenced in it’s title. He’s wielding the same influences-Misfits, The Strokes, early Weezer, Ramones-but turning up the gravity and the gain. Indeed, Krol has gone somewhere new; yes, he bludgeoned himself with over-analysis and self-loathing, but along the way he stumbled upon a trove of intricate guitar lines and artfully mutating melodies. Music ruined Krol’s life. And then saved it. In chronicling that process, Krol has made his best record-painful, voyeuristic, and angry, but ultimately transcendent and timeless. It is the sound of Krol giving in to a force greater than himself, as though the chords are playing him rather than the other way around.
Steve Hackett: At The Edge of Night
At the Edge of Light is the twenty-fifth studio album by English guitarist and songwriter Steve Hackett. It is the successor to 2017’s much acclaimed The Night Siren features 10 new tracks uniting a vast amount of styles ranging from guitar driven rock to epic orchestration, from world music to the reflective and atmospheric, all brought together in Hackett’s unique style. Steve Hackett will present the album live as part of his massive 2019 Genesis Revisited Tour celebrating ‘Selling England By The Pound’ and his own classic ‘Spectral Mornings’.
Gallipoli, Beirut’s fifth album, started life when Zach Condon returned to his old Farfisa organ, the same one he used to write his first two albums, Gulag Orkestar (2006) and The Flying Club Cup (2007). After stints writing and recording in both New York and Berlin, with time for Zach to recover from a broken arm factored in, band plus producer Gabe Wax (Speedy Ortiz, Soccer Mommy, Adrianne Lenker/Big Thief) headed to Puglia in Italy to finish the album. With the remote rural setting “the right amount of isolated”, an intense month of 12 to 16-hour days in the studio with day trips around the coastline followed. Inspired by the surroundings, Gallipoli is unintentionally more visceral than Beirut’s more recent albums, alive with an energy that is further enhanced by every creak and groan of their instruments, every detuned note, and all amp buzz and technical malfunction being left in the cracks of the songs.
Mandolin Orange: Tides of a Teardrop
Mandolin Orange’s music radiates a mysterious warmth —their songs feel like whispered secrets, one hand cupped to your ear. The North Carolina duo have built a steady and growing fanbase with this kind of intimacy, and on Tides of A Teardrop, due out February 1, it is more potent than ever.
By all accounts, it is the duo’s fullest, richest, and most personal effort. You can hear the air between them—the taut space of shared understanding, as palpable as a magnetic field, that makes their music sound like two halves of an endlessly completing thought. Singer-songwriter Andrew Marlin and multi-instrumentalist Emily Frantz have honed this lamp glow intimacy for years.
The Tides Of A Teardrop First Edition includes a bonus EP featuring 4 traditional cover songs. CD packaging is double CD. LP packaging is double LP and features blue vinyl.