Monthly Archive: March 2019

New Releases Out Now

NEW RELEASES OUT NOW include:


Karen O & Danger Mouse: Lux Prima
Lux Prima is the debut album from Yeah Yeah Yeahs vocalist Karen O and acclaimed producer Danger Mouse. Includes the single, ‘Woman.’ The straightforward rock stomper puts the Yeah Yeah Yeahs frontwoman’s vocals on display as she screams and croons. “‘Woman’ came like a bolt out of the blue when we were in the studio,” explains O. “We did a first pass where I was blurting unintelligible words and Danger Mouse and I were like ‘Dang! That was intense. What’s that word I keep saying? Woman.’ The atmosphere was volatile with it being just after the election. A lot of people felt helpless like you do when you’re a scared kid looking for assurance that everything is gonna be alright. I like to write songs that anyone can relate to but this one felt especially for the inner child in me that needed the bullies out there to know you don’t f*** with me. I’m a woman now and I’ll protect that inner girl in me from hell and high water.”



Tim O’Brien Band
After many years navigating the outskirts of bluegrass and acoustic music, Tim O’Brien’s dusky, unmistakable vocal timbre and instrumental stylings have this time landed with two feet squarely back in bluegrass. Born in Wheeling, West Virginia, the Grammy winning singer/songwriter and multi instrumentalist grew up singing in church and school, and after seeing Doc Watson on TV, became a lifelong devotee of old time and bluegrass music. ‘Tim O’Brien Band’ is the coming together of a group of musicians perfectly aligned in intention and ability. Purposefully hack, the title is a nod to the nuts and bolts of trad bluegrass, and the singular energy a band such as this can conjure. Well known instrumentalists Mike Bub (bass), Shad Cobb (fiddle) and Patrick Sauber (banjo/guitar) bring the same team effort to the studio that O’Brien fans know from recent live performances, forging Tim’s song choice and delivery into something fluid and breathing.



Todd Snider: Cash Cabin Sessions, Vol. 3
After spending the last six years making rock albums, Todd Snider is going back to folk. Cash Cabin Sessions, Vol. 3 was recorded at Cash Cabin in Hendersonville, TN. Snider wrote the set of songs and played all the instruments on the record, displaying his growth as a musician and vocalist. Of the five songs on which Snider serves up his humorous brand of socio-political commentary, three are performed in the talking blues style. He even had his friends, Jason Isbell and Amanda Shires, contribute backing vocals on a few of the tracks. If Snider is anything, he is a true artist, and he reminds us of that on Cash Cabin Sessions, Vol. 3. At a point in time when the world has never been more complicated and confusing, with people getting louder and louder, Snider did a 180, went back to his roots as a folksinger, to a simpler, quieter form of expression; and it might be what the world is waiting to hear; a man, his guitar, and the truth.



Stephen Malkmus: Groove Denied
Following hot on the heels of 2018’s Sparkle Hard comes Groove Denied, the rejected album Stephen has been telling everyone about. Groove Denied was written in Berlin and Oregon between Malkmus’ soundtrack to the Netflix series Flaked and Sparkle Hard. It finds Stephen in a playful, exploratory mode – recorded by himself in Oregon; Malkmus plays bass, organ, drum machines, a Roland 2080 and a Memorymoog alongside other instruments interspersed with loops and vocal effects. His first album as a solo artist since 2001, Groove Denied is a fine companion to Sparkle Hard, echoing the experimentation (Auto-Tune, genre-dabbling) found there.



The Brian Jonestown Massacre
The Brian Jonestown Massacre burst into 2019 with the release of their 18th full-length album, just seven months after their last one, Something Else (AUK 043CD/LP). The self-titled, nine-track album is released on Anton Newcombe’s A Recordings, and it was recorded and produced at Anton’s Cobra Studio in Berlin. The album was originally going to be released in September of 2018, but due to a hugely successful global tour – taking in USA, Canada, Australia, New Zealand and Europe – the release was delayed. Recorded in early 2018, the album features Sara Neidorf on drums, Heike Marie Radeker (LeVent) on bass, Hakon Adalsteinsson (BJM, Third Sound, Gunman, Holy Ghost) on guitar, and Anton Newcombe on multiple instruments. Also making a guest vocal appearance on “Tombes Oubliées” is Rike Bienert who has sung on previous BJM albums. The band performed songs from the album throughout the European leg of the 2018 tour. Anton Newcombe has been a very busy man over the past few years, having released four critically-acclaimed Brian Jonestown Massacre albums and an EP, one soundtrack album, and two albums with Tess Parks. All releases were fully recorded and produced at Anton’s studio. The Brian Jonestown Massacre track “Bon Bon” was used in the 2015 Palm D’Or winner Dheepan. Anton penned the soundtrack for Moon Dogs, a film directed by multi-BAFTA nominated Philip John (Svengali, Downton Abbey, Being Human).



Snarky Puppy: Immigrance
Immigrance, the new Snarky Puppy studio album, is all about movement. “The idea here is that everything is fluid, that everything is always moving and that we’re all in a constant state of immigration,” explains Michael League.



Jerry Garcia Band: Electric on the Eel
Six CD set. On August 29, 1987 Grateful Dead front man Jerry Garcia led both the Jerry Garcia Band and the Jerry Garcia Acoustic Band for performances at French’s Camp On The Eel River in Piercy, California. Garcia would bring the JGB back to the scenic venue on June 10, 1989 and on August 10, 1991 – now get ready for the spectacular Electric on the Eel set showcasing the Jerry Garcia Band’s electric sets from 8/29/1987, 6/10/1989, and 8/10/1991. The collection features several unreleased rarities including the seldom performed “See What Love Can Do”, “Twilight”, “Lazy Bones”, and “I Hope It Won’t Be This Way Always.” Other rarities from the release include “Everybody Needs Somebody to Love”, “Struggling Man”, “Lay Down Sally” and “You Never Can Tell [C’est La Vie]”.



Tom Russell: October in the Railroad Earth
Singer-songwriter, painter, and essayist Tom Russell describes the songs and sound as: “Jack Kerouac meets Johnny Cash… in Bakersfield.” There are ten new original Tom Russell songs, including the title song from the Irish film Small Engine Repair, featuring Bill Kirchen on lead electric guitar and Eliza Gilkyson singing backup. The GRAMMY-Award winning Texmaniacs appear on Isadore Gonzalez, a track about a Mexican cowboy who died in England during Buffalo Bill’s Wild West Show. A wonderful ride from stories through time and space from an American treasure.



The Cinematic Orchestra: To Believe
The release of their fourth studio album, To Believe, in March 2019, is the next step in a process of constant evolution. Born out of the band’s latest formation, it’s a creative partnership between founder Jason Swinscoe and longtime friend and collaborator Dom Smith, along with an extended family of regular bandmates and collaborators. Guided by a communal spirit, the changing members are consistent with their ethos, where no individual ego takes precedence. Guest vocalists on To Believe include the art-soul singer Moses Sumney, legendary UK rapper Roots Manuva, longtime vocal collaborator Heidi Vogel and many more. To Believe is the product of a long period of gestation, a reflection of the kind of album they wanted to make – the kind of album, that is, they’ve always made: deep, textured, and layered with meaning. With artwork by The Designers Republic™ (Aphex Twin) and mixed by 15 time Grammy Winner Tom Elmhirst, at the legendary Electric Lady studio built by Jimi Hendrix, it’s a masterful return that stands as their most definitive statement as a group. Surveying the musical landscape of 2019, it’s easy to forget how The Cinematic Orchestra have helped to shape it. They’ve long bridged deep-thinking jazz, a soundtrack sensibility and electronic music into new shapes, starting with their 1999 debut, Motion. They’ve forged a path for acts like Floating Points, Kamasi Washington, Ólafur Arnalds and BADBADNOTGOOD, artists who blur different disciplines together to carve out their own new niches. In this sense, the band’s recorded absence is less a break than an embrace of it’s unique relationship with space, with kinship, with dissent, of course with art and sound, but most of all, with one another.



The Faint: Egowork
The Faint’s long-awaited new album, Egowerk, is set to release on March 15, 2019. Made up of vocalist Todd Fink, drummer Clark Baechle, keyboardist Graham Ulicny, and guitarist and bassist Michael “Dapose” Dappen, the group that ignited an electro-pop-punk movement is back with an 11-track deep-dive into themes on modern society, the internet, and ego – specifically social media and it’s dark effects. Opener “Child Asleep” echoes well-loved Faint singles from the Danse Macabre days, with rapidfire techno beats that sear so hot, your forehead will break into a sweat regardless of proximity to a dance floor. And though the synths should sound familiar to any Faint follower, the song’s monotone message is at once classic and current: “If I was wise, I would see I’m a child still asleep.” Elaborating further, Todd says, “It would be amazing if I could wake up from the world that I think I’m awake in already. If there’s a better way of understanding life, I’d love to be privy to it. You see the wisdom of all Gurus in the East, and you know they’re not bothered by this or that. They’ve attained something, and the rest of us are just kind of banging into stuff, trying to figure out what to do with our lives.” It’s been four years since The Faint dropped a proper studio album, and more than two decades since they first tore onto the Midwest scene, alongside area staples Cursive and Bright Eyes, with anxious electro-pop-punk anthems that meshed doomsday themes with thudding dance-floor hooks. The group began to construct Egowerk shortly after releasing their 2016 career-spanning record, CAPSULE:1999-2016, with Baechle making frequent trips back to Omaha from his new home in Philadelphia to mix the record. The band made a unanimous decision to self-produce the entire record, making it unique and far more involved than any of their past work. Despite The Faint’s nihilistic musings on Egowerk, Fink and Baechle remain optimistic that things can improve if society is willing to absorb dueling perspectives. “The more you learn about any issue, any issue at all, the more you understand that it’s more complicated than you think, ” Fink says. “I’d like to see people less convinced that they’re right about everything all the time. I guess I think we’ll figure it out as time goes on.”



Andy Statman: Monroe Bus
Andy Statman further explores the subterranean caverns of American roots music on ‘Monroe Bus’, tapping deeper into the sources that have energized his playing for nearly 50 years. The 2013 NEA National Heritage Fellow and Grammy nominee has become a near-legendary figure in modern bluegrass and string music. From the sublime to the surreal, his ever-changing repertoire is a challenge and a delight to his audience and to fellow musicians. Monroe Bus was originally conceived to be a collection of interpretations and improvisations on the instrumentals of Bill Monroe. Statman says ‘Bill’s music had a tremendous influence on me when I started out as a mandolin player, and has continued to do so ever since… As the project progressed, I found myself writing my own tunes, inspired by some of Monroe’s musical ideas. Some melodies more closely reflect the master’s influence; others go to other places, but still bear that influence. During the mixing, it once again became clear to me how the music one plays and writes is a reflection of the life a person lives”.
For Andy, Bill Monroe’s music was an ongoing conscious synthesis of the music he heard and his life experience. These tunes were written and played in the same spirit, reflecting his experiences and those of his fellow musicians on these sessions. He brought back Grammy nominated fiddler Michael Cleveland, who contributed mightily to his last CD, Superstring Theory, along with veteran trio members Jim Whitney (bass) and Larry Eagle (drums). Completing the core group, and also significantly expanding the aural palette of the ensemble, is Glenn Patscha (keyboards), who was a member of the New York Americana group Ollabelle and who most recently toured the country in Ry Cooder’s band. Michael Daves (acoustic guitar) rounds out the group on three of the tracks.

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Community Market saved The Last Record Store.

Now let’s pitch in to save them…

Back in 2003, LRS was unceremoniously kicked out of our 20 year home in Downtown Santa Rosa. It was a precarious time in the record biz. Vinyl was on the way out, Best Buys was selling CDs below cost, and folks were enamored with free music downloads from Napster and their ilk. So after spending 20 years building a business, we found ourselves kicked to the curb, so to speak. Not sure which way to turn, I got a phone call from Amber at Community Market. “We would be honored to have you share our building at 1899 Mendocino Ave.” I had no Plan B, so this was about the greatest news for the record store.
Fast forward to now, and thanks to our loyal customers, the resurgence of vinyl, and to Community Market, we are thriving once again!
Please consider making a contribution to their recovery fund. Let them know that you appreciate the fact that they bailed out LRS.
Here is a link to their GOFUNDME page: CLICK
Even 5 or 10 bucks would help. They have 70 employees, many are not working because of the flood in The Barlow.
THANKS

Kepi Ghoulie LIVE ~ Mystic Theater Ticket Give Away

Saturday March 9 at 3:30pm
Kepi Ghoulie LIVE @ Last Record Store

laughKepi Ghoulie (Groovie Ghoulies) plays live, solo acoustic
for Burger Records’ Burger Revolution day, March 9th 2019 3:30-5pm
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MYSTIC THEATER TICKET GIVE AWAY:
Because you have perused my newsletter this far, you are eligible to get FREE tickets (while they last)
to a wonderful show this Sunday March 10.

Ripe + The Brook & The Bluff

Sunday, March 10, 2019 8:30 PM
Mystic Theatre & Music Hall, Petaluma, CA

Ripe: Ripe is a Funk/Pop band out of Boston, MA that was born as a result of its seven members’ uniting over one belief: with enough passion and honesty, music can still make the earth shake. With one eye looking back to the inception of both funk and psychedelic music, and the other looking forward with a modern concept of what makes people move, Ripe seeks both to honor musical history as well as to make it. The perfect fruit is equal parts past and present, and this is the approach of the Ripe sound.

With a strong devotion to consistently creating an unforgettable live experience, Ripe has kept the groove going touring nationally from coast to coast. With a recently released sophomore EP, Hey Hello, and plans to start recording a full-length album in the coming year, Ripe is shifting into overdrive with every intention of taking this to the stratosphere. The Ripe family asks you to get loose, get down, and get ready. The party is just getting started.

The Brook & The Bluff: Established in Birmingham, AL, The Brook & The Bluff is a four-man band that consists of frontman Joseph Settine, drummer John Canada, guitarist Alec Bolton and bassist Fred Lankford.

The guys have quickly become recognized for their evocative blend of instrumental talent and vocal harmony. These elements are readily apparent in the band’s debut track, “Masks.” Having initially gained momentum via Spotify, the song has helped spur the band forward in their musical pursuits.

The group’s first year as a full band has been widely successful. From charting on Spotify’s US and Canada Viral 50 Playlists, performing at the NAMM shows in both Nashville and Anaheim, and selling out shows in Atlanta, Birmingham, Huntsville, Nashville and Opelika, the band has had an exhilarating first year.

Originally an acoustic duo, Alec and Joseph started turning heads in local venues with clean vocals and expert guitar work. John noticed the talent and potential of the duo and offered to play drums and sing with the guys. Soon after, he officially joined the group, expanding their sound with driving rhythm and an added voice. The trio instantly locked in and have been playing together ever since. With their new bassist Fred Lankford, The Brook and The Bluff relocated to Nashville in 2018.

Call (707) 525-1963 and tell the friendly person that answers the phone that you want FREE tickets
to Ripe + The Brook & The Bluff.
Easy, huh?

New Releases ~ March 8, 2019

Here are some New Releases :


Joni 75: A Birthday Celebration
An incredible array of artists and musicians honor one of the world’s most revered artists, Joni Mitchell, on her 75th birthday on Joni 75: A Birthday Celebration. The all-star tribute salutes Mitchell as a boundary-breaking artist highlighting her songs throughout her career. Featured performers include Brandi Carlile, Glen Hansard, Emmylou Harris, Norah Jones, Chaka Khan, Diana Krall, Kris Kristofferson, Los Lobos with La Marisoul, Cesar Castro & Xochi Flores, Graham Nash, Seal, James Taylor, and Rufus Wainwright.



Patty Griffin
Patty Griffin represents an extraordinary new chapter for this incomparable singer-songwriter and immediately stands among the most deeply personal recordings of her remarkable two-decade career. The album – which follows 2015’s Grammy Award-nominated Servant Of Love – collects songs written during and in the aftermath of a profound personal crisis, several years in which she battled – and ultimately defeated – cancer just as a similar and equally insidious disease metastasized into the American body politic. Yet as always, like very few others, Griffin’s power lies in how, as Holly Gleason in the Martha’s Vineyard Gazette observed, ‘her songs seem to freeze life and truth in amber.’ It’s in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft.



Weezer: The Teal Album
The Teal Album is the ultimate covers collection with songs from TOTO, Tears For Fears, Eurythmics, A-Ha, The Turtles, Black Sabbath, Electric Light Orchestra, TLC, Michael Jackson & Ben E. King.



Maren Morris: Girl
the second major label studio album by singer Maren Morris. Lead single “Girl” was called “an upbeat, optimistic single with a strutting, indie-rock guitar sound” by Rolling Stone. Morris co-wrote the song with Sarah Aarons, who worked on “The Middle”, and Greg Kurstin. Maren has released four studio albums. Her 2015 extended play, Maren Morris, charted on two Billboard charts. Her major label debut album, Hero, reached #5 on the Billboard 200 chart and #1 on the Top Country Albums chart.



David Gray: Gold In A Brass Age
Gold In A Brass Age was produced by Ben DeVries, son of producer and soundtrack composer Marius. The album finds Gray in renewed creative form and arrives just ahead of a run of headline shows in the US and UK. Gold In A Brass Age is defined by an intuitive approach from Gray, exploring new electronic textures and sound palettes, along with new production techniques in the process. David began writing Gold In A Brass Age in 2016 and it was recorded over several months between tours, including a 50 date US tour and a co-headline tour with Alison Krauss in 2017. Using a cut and paste approach to the arrangement of songs, the album’s atmospheric and experimental undertones are evident throughout.



Dido: Still On My Mind
One of the biggest selling UK artists of all time, Dido returns with her 5th studio album “Still On My Mind”. The long-awaited fifth overall album from Dido, following on from 2013’s Girl Who Got Away. The new album will show Dido’s love of hip-hop and folky roots. Much of Still On My Mind was written and recorded in England as “a result of the fruitful and incredibly natural production/songwriting partnership” with brother Rollo, who contributed extensively to all of her previous releases. Still On My Mind wafts in like a beautiful breeze, a chilled out tumble of sadness and joy, melancholy and bliss. That familiar voice is fully present, soft, intimate and delightfully conversational, caressing melodies over a subtle flow of beats, with an aching catch that tugs at the heart strings. She was the girl who got away. But after five years of silence, Dido is back.



Flight of the Conchords: LIVE in London
Two CD live release. In October of 2018, ten years after the launch of their hit HBO series, musical comedians Bret McKenzie and Jemaine Clement returned to HBO for the all-new comedy special. Live in London was taped before a live audience at the Eventim Apollo and featured the Conchords performing songs from the sold-out UK and Ireland edition of Flight of the Conchords Sing Flight of the Conchords Tour.



Butt-Naked Amanda Palmer: There Will Be No Intermission
Amanda says this is the most personal and painfully vulnerable album she has ever made and her songwriting has climbed up a few notches. This is the most honest record she has ever written, and was fueled by everything that was going on around her to dig deeper, try harder, and be less afraid. Included on There Will Be No Intermission are some songs that have been longtime live favorites, like Amanda’s cover of Dillie Keane’s “Look Mummy, No Hands,” as well as more recent releases like a tribute to Judy Blume on her 80th birthday. Other songs tackle abortion, cancer, motherhood, and politics. Amanda has shared a new song, “Drowning in the Sound,” which you can listen to below. It’s chorus pays tribute to Prince and Ani DiFranco, two of Amanda’s musical idols



Meat Puppets: Dusty Notes
The legendary Meat Puppets have reunited and put together an album of new music. The album, Dusty Notes, will be available March 8th via Megaforce records. Includes the single “Warranty”. Fans of the golden SST age of American punk and of these cowpunk trailblazers will be thrilled to welcome this: the first album by the original Meat Puppets lineup since 1995. Curt and Chris Kirkwood have reunited with drummer Derrick Bostrom, and you’ll also hear keyboardist Ron Stabinsky and Curt’s son Elmo (on guitar) here. Get this now (on CD or vinyl) so you’ll know these tunes by the time you see ’em on tour later this year: “Warranty,” “Nine Pins,” “Unfrozen Memory,” “The Great Awakening,” “Outflow,” the title track and more! Megaforce.



Tom Harrell: Infinity
When pianist Bill Charlap featured Tom Harrell at a recent gig with his trio at New York’s Jazz Standard, he summarized the trumpeter’s genius as concisely as anyone could. “It is our honor and privilege,” he announced, “To share the bandstand with a man who is a living, breathing melody.” For this latest HighNote release, featuring a razor-sharp quintet with saxophonist Mark Turner and guitarist Charles Altura, Harrell & company combine complex compositions, seductive rhythms, advanced harmonic concepts, vibrant solos and sheer inspiration in an album which transcends the jazz idiom. This is perhaps Harrell’s most imaginative recording to-date, with the scoring for the piano-less, tenor sax and guitar front line ensemble sui generis among his work.



Leo Bud Welch: The Angels in Heaven Done Signed My Name
Leo Bud Welch, the deceased delta bluesman, spent his life honing his musical craft. The Mississippi native and 30-year lumberjack performed as a gospel singer in his small hometown for years before he made his first record when he was in his seventies. The influence of the region he called home, his years of musicianship, and his well lived life blended together to create music that was as unique as he was. The stunning posthumous album, The Angels in Heaven Done Signed My Name, was produced by Dan Auerbach at his Easy Eye Sound studios in Nashville, Tennessee just before Leo’s death in December of 2017 and also features performances by the late Richard Swift.



The Coathangers: The Devil You Know
In their early years, Atlanta trio The Coathangers were very much of the classic punk ethos-the band was a live entity, and the records were a document of the charisma and chaos projected from stage. But after 12 years of relentlessly touring on a steady flow of EPs and LPs, The Coathangers finally took a moment to recalibrate before diving into the creation of their sixth studio album The Devil You Know. The band regrouped to make an album that captures all the vitality of their early years while honing their individual strengths into new communal achievements. It’s a record that takes their established takes on vitriolic punk, playful house-party anthems, and heartworn ballads and melds them into a new sound that retains all their former live show glories while revealing a new level of songwriting and nuance. “The writing process was done with an open heart,” says guitarist/vocalist Julia Kugel. “Everything that came before had to go away. And we started there, at ground zero.” With each album, you could hear the individual songwriters honing their style. But with The Devil You Know, it feels like we’re hearing the first Coathangers record written as a true unit.


Shook Twins + Rainbow Girls

MYSTIC THEATER TICKET GIVE AWAY:
Because you are reading this, you are eligible to get FREE tickets (while they last) to a wonderful show this Sunday March 3.

Shook Twins + Rainbow Girls

Sunday, March 3, 2019 8:30 PM
Mystic Theatre & Music Hall, Petaluma, CA

Shook Twins: “I love the harmonies of the Shook Twins, the dreamlike songs that seem somehow permeated by the American Folk tradition, without actually being part of it. They make music that twines through your soul the way vines cover an abandoned shack in the woods.” – Neil Gaiman, New York Times – Best-Selling Author
“The Shooks will Shake you. These ladies have been keepin’ it real since the day they were born and that was only seconds apart from one another I think. Do yourself a favor and check ’em out. I do declare, ya won’t be sorry.” – Langhorne Slim
“The Shook Twins put on a heck of a show. Keep your eyes on these folks. I’m excited to hear what they do next.” – Tucker Martine
“A unique, personal music that lights up the stage with its joy and enthusiasm.” – Mason Jennings

Magic revolves around the number two. Opposite halves define our existence. There’s dark and light, black and white, night and day, yin-and-yang, and so on and so forth.

On their 2017 EP 2, critically acclaimed Idaho-born and Portland-based indie outfit Shook Twins draw on the inherent power of the group’s namesake duo—identical twin sisters Katelyn Shook [vocals, guitar] and Laurie Shook [banjo, vocals]. In early 2017, the pair holed up alone in a room with just two voices and two instruments and cut the seven-song collection live to tape, serving up bare bones renditions of fan favorites, covers, and one new tune entitled “Safe.”

“Musically, it differs from our other studio albums, because it’s just two twins in a room performing on two instruments,” explains Katelyn. “It’s much more raw emotionally and almost vulnerable. It’s nice to hear our growth as a duo and notice our individual grooves. It showcases these songs in a different way than they had been or will be recorded. It’s just a taste of the simplest core of our band: The Shook Twins.”

“It goes back to the very beginning,” adds Laurie. “When we were 18, we started writing songs together, just the two of us. We practiced how to blend our voices and instruments, trying to make our 2 voices and 2 instruments sound like one thing instead of 4 separate pieces. That’s how we started this whole musical life. We wanted to go back to that for a minute and remember.”
The process represents something of a full circle moment for Shook Twins. The group emerged in 2008 with their independent debut You Can Have The Rest followed by Window and 2014’s What We Do—which garnered acclaim from USA Today and more. Organically stirring up a buzz, they engendered fandom in fellow creators such as Langhorne Slim, The Lumineers, Mason Jennings, and iconic best-selling author Neil Gaiman who claimed, “They make music that twines through your soul the way vines cover an abandoned shack in the woods.” Along the way, the full band, including Niko Slice [electric guitar, mandolin, vocals], Barra Brown [drums, vocals, drum pad], and Josh Simon [bass, vocals, electric guitar, synth], has shared bills with everyone from Ryan Adams to The Indigo Girls. Moreover, they graced the stages of High Sierra, Bumbershoot, Hulaween, Floydfest, Summer Camp Music Festival, Oregon County Fair, Fayetteville Roots Festival, Northwest String Summit and many more in addition to performing at Red Rocks alongside Gregory Alan Isakov and Ani DiFranco. Their artful amalgam of folk heart, indie spirit, and alternative energy has effectively captivated fans internationally.
Now, 2 comes to life on the strength of the twins’ own musical union. Penned by a friend named Vance Bergeson, the first single “Mad Scientist” shuffles from rustic instrumentation into cinematic storytelling, weaving together its own mythos.

“Vance is a luthier and a mountain man, and this track is truly his essence,” explains Katelyn. “For some reason, we believed we had something to offer the song as well. We believe it needs to be heard by as many people as possible.”

They strip the What We Do centerpiece “Shake” down to its quaking and quivering acoustic essence. Meanwhile, the 2017 composition “Safe” illuminates their creative strides towards 2018’s forthcoming new full-length, Some Good Lives (recorded with the full band), bridging the past and present with its delicate songcraft and lovelorn lyricism.

“This is a brand new one that we wrote in a cabin by Mt. Hood recently,” explains Laurie. “It’s been a long year of unsure love in my life, so I resonated with the hook that Katelyn started singing while I was eating breakfast. It grew from there as a collaboration.”

As Shook Twins hit the road in support of 2 and ready their next body of work, their bond extends to listeners everywhere.

“I want people to feel like they know us,” concludes Laurie. “I hope it’s like we’re friends, and we’re just hanging out comfortably in our living room together.”

“If you’re a music listener and supporter, you make ALL the different to us,” Katelyn leaves off. “It would be a pretty pointless job, if you weren’t there.”

Rainbow Girls: Rainbow Girls are an eclectic folk trio hailing from the golden coastal countryside of the North Bay. Comprised of three unique musical talents – Vanessa May, Erin Chapin, and Caitlin Gowdey – they seamlessly combine soul-touching harmonies, varitextured instrumentals, and poignant lyrical content into an unusually beautiful sonic tapestry. Pairing their voices with an ever-changing amalgamation of acoustic and slide guitar, keys, upright bass, voice, harmonica, and an array of more unexpected vocal techniques like beat-boxing and mouth trumpet, they create engaging and emotionally moving live performances.

Their music delves deeply into themes of the human experience: hopeful love, honest self-reflection, and pursuits of social justice. Their latest album, “American Dream,” crystallizes these ideas in acoustic amber, encapsulating a beautiful new direction for their evolving sound.

Originally formed in Santa Barbara, CA in 2010, the Rainbow Girls have spread their musical wings both internationally and domestically, from busking on the streets of Europe to playing pubs and theaters in the UK, to house concerts, festivals, and shows in the US. Rainbow Girls have also gained recognition on NPR’s Tiny Desk concert series and KQED’s “The California Report.”

Call (707) 525-1963 and tell the friendly person that answers the phone that you want FREE tickets
to Shook Sisters + Rainbow Girls.
Easy, huh?

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