Monthly Archive: April 2019

New Releases

New Releases out now include:


Molly Tuttle: When You’re Ready
the debut album from award-winning guitar virtuoso Molly Tuttle. An insightful, gifted songwriter who was crowned “Instrumentalist of the Year” at the 2018 Americana Music Awards on the strength of her EP Rise, Tuttle has broken boundaries and garnered the respect of her peers, winning fans for her incredible flatpicking guitar technique and confessional songwriting. Graced with a clear, true voice and a keen melodic sense, the 25-year-old seems poised for a long and exciting career. When You’re Ready, produced by Ryan Hewitt (The Avett Brothers, The Lumineers), showcases her astonishing range and versatility and shows that she is more than simply an Americana artist.



Sara Bareilles: Amidst The Chaos
the sixth studio album from singer/songwriter Sara Bareilles. Includes the singles ‘Armor’ and “Fire,” plus “No Such Thing,” “Eyes on You,” “Wicked Love,” “Orpheus” and more. The album was produced by T Bone Burnett. Bareilles has sold over one million albums and over nine million singles and downloads in the United States alone and has earned seven Grammy Award nominations, including one Album of the Year nomination for her album The Blessed Unrest.



The Infamous Stringdusters: Rise Sun
The Infamous Stringdusters rise to new heights on their ninth full-length record Rise Sun. For the album, the GRAMMY® Award-winning quintet-Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]-expanded their signature sound by perfecting their seamless fusion of All-American-bluegrass and rock.
Once again sail into uncharted territory moored only by their expressive patchwork of All-American bluegrass threaded together with strands of rock, jazz, funk, country, old-time, and more. As they approached this latest body of work, the group’s ambition matched their outsized creative curiosity. “Rise Sun was sparked by the feeling of wanting something better for the world-more love, more awareness, and more compassion,” says Hall. “It’s a message of taking care of each other, our planet, and ourselves. We all shared this feeling as evidenced by the songs we brought to the project. It’s the feeling of a rising sun as opposed to a dark night. Sometimes a message of hope is less popular than one of despair, but it’s much-needed nevertheless.”



Sunn O))): Life Metal
Sunn O))) co-founders Stephen O’Malley and Greg Anderson began working on new music in early 2018. Following an initial pre-production session at Dave Grohl’s 606 Studios in California, they made their way to Chicago to record at Albini’s Electrical Audio. Oining the band on Life Metal is composer and frequent live collaborator Hildur Guðnadóttir, who adds vocals, electric cello, and haldorophone to the track “Novae”. Additionally, Tim Midyett plays aluminium neck bass and baritone guitars throughout the album, while Anthony Pateras contributes pipe organ to “Troubled Air”.



Norah Jones: Begin Again
New release by the nine-time Grammy-winning singer/songwriter Norah Jones. Begin Again is a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Features the new song “Just a Little Bit,” which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums.



Melissa Etheridge:The Medicine Show
Describing the rocking, anthemic new track and album, Melissa explains, “The sound of the song and the whole record is purposefully aimed at that 90’s rock sound. When rock was moody and fierce. ‘Faded’ is spot on a Melissa Etheridge song. You know it from the first few notes. I wrote it on my twelve string and kept it true to that sound.” For this album, her 15th studio recording, Melissa was reunited with celebrated producer John Shanks (Keith Urban, Bon Jovi, Kelly Clarkson), and was recorded largely live in studio, capturing the raw emotion of the material. – The Medicine Show deals with universal themes of renewal, reconciliation, reckoning, compassion and, most profoundly, healing. Through the songs she processed the deep fears and hurting she saw in the nation on collective and personal levels; “Shaking” about national anxiety, “Here Comes the Pain,” personalizing the opioid crisis, the unifying “Human Chain” about the hope for healing, and the rocking, anthemic “Love Will Live.” More highlights include the album-closer, “Last Hello” drawing on the incredible strengths and courage shown by the survivors of the Parkland school shootings, and the infectious “Wild and Lonely,” exploring themes of her past with a new perspective.



Shovels & Rope: By Blood
Shovels & Rope is one of the hardest-working bands out there today. Throughout their career, Cary Ann Hearst and Michael Trent have constantly been touring, and all the while they’ve made music wherever they can, and recently they’ve taken on two giant new challenges; raising a (growing) family, and helming a successful music festival, Charleston’s High Water Festival. Their album By Blood is a gritty, powerful look into their lives and the world around them, with tender songs commenting on their relationship, and human stories weaving throughout.



Glen Hansard: This Wild Willing
This Wild Willing is Glen Hansard’s fourth solo album. Written and created in Paris, France with a band of brothers; new friends and old, more than 24 musicians collaborating on the album. From his partners in The Frames (Joe Doyle) and Swell Season (Marketa Irglova & Joe Doyle), to his touring family of players, to three Iranian brothers he met in Paris (the Kroshravesh brothers), Glen brought together a group of global talents who each left an indelible mark on this recording. “It became quickly apparent in the studio we were onto something interesting. I was finding new ways into the existing songs and we were improvising new ideas every day. When you surround yourself with great musicians and do your best to keep up, stay loose, give little direction, and allow everyone to bring what they bring, something transformative may happen. This collection of songs is mainly made up of those that came through while improvising and following the melodic lines and threads. Sometimes when you take a small musical fragment and you care for it, follow it, and build it up slowly, it can become a thing of wonder. In this sense, some of these songs weren’t written in the traditional form; they were ideas followed to a conclusion. I want to thank all these great musicians for coming and giving these songs their best. All a song wants is to be heard. I hope something in this music can be of use to you. I know it’s been of great use to me to make it. Beauty is in the ear of the behearer.”



Bruce Hornsby: Absolute Zero
Absolute Zero is Bruce Hornsby’s fourth studio album as a soloist; his discography is eleven total studio albums, including his recordings as Bruce Hornsby and the Range and Bruce Hornsby and the Noisemakers. The album was produced by Bruce Hornsby – Justin Vernon (Bon Iver) and Brad Cook co-produced “Cast Off” and Bruce Hornsby and Tony Berg, co-produced “Meds”. Featured guest artists – yMusic, Jack Dejohnette, Blake Mills, Justin Vernon, The Staves, Sean Carey (Bon Iver), Henry Mancini Institute Orchestra – University of Miami, among others including Bruce’s band The Noisemakers.



John Paul White: The Hurting Kind
Leading up to the sessions for The Hurting Kind, White was inspired by artists like Jim Reeves, Patsy Cline, Roy Orbison, Chet Atkins and Bill Porter. Drawing on these timeless influences, White sought out classic writers like Whisperin’ Bill Anderson and Bobby Braddock to collaborate with. “Coming out of each and every one of these situations, I got a resounding thumbs-up that I was on that right track,” says White of the collaborations. “I didn’t need anybody else’s approval after that.” With The Hurting Kind, White draws on the lush, orchestrated music made in Nashville in the early 1960s, writing about overwhelming love, unraveling relationships and the fading memory of a loved one.



Jade Bird
the debut self-titled debut album from Jade Bird. Featuring breakthrough singles ‘Lottery’, ‘Uh Huh’ and ‘Love Has All Been Done Before’. Twisting big themes of disillusionment, divorce, cheating, sorrow into the realities of an independent-minded, modern British teenager, Jade’s music transcends genre with a wealth of influence coming from everywhere, and anywhere. Classic, contemporary, and a total breath of fresh air in the current musical landscape, Jade Bird is that rare, next-generation artist who appears as clued up on the past as she is determined to learn from it’s lessons: in control, sometimes in your face, and in possession of gifts beyond her years.



Cage the Elephant: Social Cues
the fifth studio album by rock band Cage the Elephant. Social Cues follows Cage the Elephant’s Grammy-winning Tell Me I’m Pretty from 2015, as well as their 2017 live album, Unpeeled. There are 13 tracks in total including a collaboration with Beck titled, “Night Running”. Cage the Elephant formed in 2006 and relocated to London, England, in 2008 before their first album was released. The band’s first album was released in 2008 to much success, spawning several successful radio singles and gained the band a large following in both the United States and the United Kingdom.



The Yawpers: Human Question
The Yawpers are the sheep in wolf’s clothing. Through their first three albums, the group divined a signature style-what Pitchfork described as “an expansive vision of rock ‘n’ roll, one that cherrypicks from various folk traditions: punk, rockabilly, blues, whatever they might have on hand or find in the trash.” The sound is a front-heavy, groovy, fire & brimstone punk-blues overlying a dynamic and metaphysical roots rock. On their fourth album Human Question, the Denver trio zooms out to a more vast and accessible stylistic and spiritual universe. The 38-minute thrill ride generates growth and cathartic self-reflection for audience and performer alike. If there was justice in this world, the Yawpers would be the savior that rock and roll didn’t know it was waiting for.



Rolling Stones: HONK
Triple CD edition. 2019 compilation from the legendary rock ‘n’ roll band featuring the biggest hits and classic cuts from every Rolling Stones Records studio album from 1971 to 2016. This set collects 36 essential Stones’ tracks on the first two discs – including eight Top 10 singles, “Brown Sugar,” “Tumbling Dice,” “Angie,” and much more. The third disc includes 10 live tracks recorded during the band’s more recent sold-out tours and feature guests like Florence Welch, Dave Grohl, Brad Paisley and more.



Bolden
For the original soundtrack of Bolden, in theaters this spring, nine-time GRAMMY Award winner Wynton Marsalis faced a nearly impossible task: bring fellow trumpeter and New Orleanian Buddy Bolden, widely considered one of the fathers of jazz, back from the dead. But on this album, Marsalis enthusiastically resurrects the bawdy, brassy sound of Bolden as no one else can, throwing a Big Easy party that romps through some of Bolden’s most beloved material. Featuring acclaimed vocalists Catherine Russell and Brianna Thomas and an all-star cast of instrumentalists that includes Wycliffe Gordon, Victor Goines, Marcus Printup, and more, Marsalis brings turn-of-the-century New Orleans back to life, imbuing ragtime classics popularized by Bolden and his competitor Louis Armstrong with a modern sound and energy.

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