October 19 New Releases

NEW RELEASES Out October 18 (now):

Big Thief: Two Hands
a completely new, fully-realized, 10-song album by Big Thief, will arrive just five months after their breakthrough U.F.O.F., one of the most acclaimed albums of 2019. In sharp contrast to the wet environment of the U.F.O.F. session, Two Hands had to be completely different- an album about the earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer/songwriter Adrianne Lenker. With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album.



Kim Gordon: No Home Record
With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus. Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résumé, the most reliable aspect of Gordon’s music may be it’s resistance to formula. Songs discover themselves as they unspool, each one performing a test of the medium’s possibilities and limits. Her command is astonishing, but Gordon’s artistic curiosity remains the guiding force behind her music. It makes sense that this “American idea” (as Gordon says on the agitated rock track “Air BnB”) of purchasing utopia permeates the record, as no place is this phenomenon more apparent than Los Angeles, where Gordon was born and recently returned to after several lifetimes on the east coast. It was a move precipitated by a number of seismic shifts in her personal life and undoubtedly plays a role in No Home Record’s fascination with transience. The album opens with the restless “Sketch Artist,” where Gordon sings about “dreaming in a tent” as the music shutters and skips like scenery through a car window. “Even Earthquake,” perhaps the record’s most straightforward track embodies this mood; Gordon’s voice wavering like watercolor: “If I could cry and shake for you / I’d lay awake for you / I got sand in my heart for you,” guitar strokes blending into one another as they bleed out across an unstable page. Front to back, No Home Record is an expert operation in the uncanny. You don’t simply listen to Gordon’s music; you experience it.



David Grisman’s Dawg Trio
Mandolin legend David Grisman reinvents himself yet again with an exciting new band – Dawg Trio featuring his talented son Sam on bass and Texas born banjo virtuoso, Danny Barnes, recipient of the 2015 Steve Martin Prize for Banjo.



Municipal Waste: The Last Rager
Virginia Metalheads Municipal Waste return with a fresh EP for fall 2019. It’s been few years and several hundred live shows since the Waste oozed out the much celebrated Slime and Punishment album. Back with 4 ripper tracks that embrace all the bands punk and street metal roots without clutching the past. That honest formula has led the Waste to innovate the festival scene with the opening track and party of the summer “Wave of Death”. Charged by the exotic and biting wit of vocalist Tony Foresta. Turbo charged by the dual guitar aggression of Ryan Waste and Nick Poulos. Locked in and ready for takeoff by rhythm section LandPhil Hall on bass and Dave Witte on Drums. Partiers, you’ve been taught the “Art” and now it is time for an advanced lesson. Thrashers on alert! Municipal Waste is delivering, The Last Rager.



Kendell Marvel: Solid Gold Sounds
Over the past two decades, Kendell Marvel has become one of the great legendary songwriters in Nashville. For years, he’s quietly written massive hits for Country royalty – from George Strait to Jake Owen, Gary Allan to Chris Stapleton – but now has stepped from behind the pen and paper into the studio and spotlight. The result is Solid Gold Sounds – a stellar album that weaves a rich tapestry of deep southern songwriting with the unique gravity and talent Marvel brings as a one-of-a-kind performer. On Dan Auerbach’s Easy Eye Sounds Record Label.



Jimmy Eat World: Surviving
the 10th album from the Mesa, Arizona-based rockers. Jimmy Eat World have already released nine studio albums, the last eight featuring the current lineup. Surviving is the follow-up to 2016’s Integrity Blues.



Mark Lanegan: Somebody’s Knocking
From the opening bars of “Disbelief Suspension” onwards, it’s clear that Somebody’s Knocking is an album made by someone deeply obsessed with how music – with all it’s primal, spiritual healing power – truly penetrates the soul. As a result, there’s joy in the music, as if created from a perfect set of inspirations smashed and grabbed from God’s own record shop. Some of the influences are oblique, others direct and fully respectful. From the Raw Power-esque garage metal grind of that opener to “Letter Never Sent’s” rocket-powered take on Love-era kaleidoscope-psych, through the pensive subterranean murk of “Dark Disco Jag” and on to “Playing Nero’s” sun-bleached riff on Joy Division’s “Atmosphere,” there’s the glee of infatuation running deep in the tracks.



Cody Jinks has 2 new albums !
After The Fire. Was released October 11. The Wanting was released on October 18th.



Jim James: The Order of Nature
The Order Of Nature presents a hypnotic meeting of the classical and folk-rock worlds with both classic and brand-new material by Jim James (lead singer of critically/commercially successful My Morning Jacket) and fused with Teddy Abrams’ inspired orchestrations with the Louisville Orchestra.


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