New Music

The latest releases and other current music news

Ry Cooder, Soggy Marley, Courtney Barnett and more …

NEW RELEASES for May 18 2018 (out now) include:


Ry Cooder: The Prodigal Son
Aided by his son and chief collaborator, drummer Joachim Cooder, Ry puts a fresh, contemporary spin on long-treasured black and white church music on this soul-stirring album. Ry’s expressive vocals and elegant guitar work voice songs once sung by the Pilgrim Travelers, Blind Willie Johnson and the Stanley Brothers; you’ll also encounter some Cooder originals as you hear “Straight Street,” “Shrinking Man,” “Everybody Ought to Treat a Stranger Right,” “The Prodigal Son,” “Nobody’s Fault but Mine,” “In His Care,” “Harbor of Love” and more.



Courtney Barnett: Tell Me How You Really Feel

The Grammy and Brit nominated Courtney Barnett returns with her second album – Tell Me How You Really Feel. It follows her critically acclaimed 2015 debut album Sometimes I Sit And Think And Sometimes I Just Sit, and a recent Top 10 collaborative record, Lotta Sea Lice, with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with unflinching self-assessment – fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain. Includes digital download.



Arctic Monkeys: Tranquility Base & Casino
Produced by James Ford and Alex Turner, the album was recorded in Los Angeles, Paris and London. Many of the songs featured on Tranquility Base Hotel & Casino were written by Alex Turner at a Steinway Vertegrand piano gifted to him as a birthday present. The album is the long awaited follow-up to the band’s 2013 album AM. Arctic Monkeys formed in 2002 in High Green, a suburb of Sheffield. The band consists of Alex Turner (lead vocals, rhythm/lead guitar), Matt Helders (drums, vocals), Jamie Cook (lead/rhythm guitar) and Nick O’Malley (bass, backing vocals). The band has won seven Brit Awards – winning both Best British Group and Best British Album three times, and have been nominated for three Grammy Awards. They also won the Mercury Prize in 2006 for their debut album, in addition to receiving nominations in 2007 and 2013.



Ray LaMontagne: Part of the Light
the seventh studio album from acclaimed singer/songwriter Ray LaMontagne. The album was written and produced by Ray LaMontagne and features the first single, “Such A Simple Thing.” Ray LaMontagne has released six studio albums, five of which have reached Top 10 on Billboard’s Top Rock Albums chart and Billboard’s Digital Albums chart. Additionally, his 2010 album God Willin’ & the Creek Don’t Rise won the Grammy for Best Folk Album. Each release from his catalogue over the last 13 years carries it’s own character and feel. Having worked with producers Ethan Johns, Dan Auerbach of the Black Keys and Jim James of My Morning Jacket, Ray’s vast sonic catalogue has been called everything from “a perfect throwback to the lost art of the album-length format,” from Entertainment Weekly to “epic and magical,” from Rolling Stone and “gorgeous and ambitious,” from Esquire. NPR’s All Things Considered said that Ray throughout the course of his career “has continued to push himself in different directions,” while People called Ray a “marvel of nature.”



Low Cut Connie: Dirty Pictures Part 2
Low Cut Connie’s fifth album. This little act from South Philly continues to dig in their corner of the sandbox, looking for something useful and real to offer their fans. Low Cut Connie is the hardest-working band in show business – no matter what the pay, what size the venue, no matter what definition of success is applied, Adam Weiner and the rest of the crew try to light the fire at every show and with every record. Dirty Pictures (part 2) reminds all of us, all the little people, to keep our fires lit at any cost.



Joan Armatrading: Not Too Far Away
Not Too Far Away is the nineteenth studio album by British singer-songwriter Joan Armatrading. Armatrading signed to BMG in 2018, and this is her first album for the label. In 2007 3 times Grammy nominated British singer songwriter Joan Armatrading became the first female UK artist to have debuted at number 1 in the Billboards Blues charts. She is also the first female UK artist to be nominated for a Grammy in the blues category.



Kelly Willis: Back To Being Blue
Kelly Willis is Back Being Blue, to take a color-coded cue from the title of her seventh album. It’s a shade she wears well, though long-patient fans might just say: You had us at back. They’ll take a new Willis record in whatever hue it comes, now that it’s been 11 years since her last solo release, 2007’s Translated from Love. The Austin-based singer/songwriter has hardly been MIA in the intervening years, having recorded and toured as part of a duo with Bruce Robison. But she’s setting the duet M.O. aside for do-it-alone mode, at least as far as the spotlight is concerned (Robison hovers just outside it this time as producer). Hers is a solo voice again, but it’s not necessarily sotto voce: This is an album of songs about lonesomeness that also happens to be a cracklingly good time.



Gretchen Peters: Dancing With The Beast
Dancing with the Beast puts female characters at the fore, from teenage girls to old women. And intentionally so. With the 2017 Women’s March and the #MeToo Movement as bookends to her writing time, Peters knew that a feminist perspective would be the critical core of the record. She admits, “You can trace the feminist DNA in my songwriting back to ‘Independence Day’ and probably before. The thing that 2017 did is just put it front and center.” Though Peters doesn’t consider herself a political writer, she is politically minded and, therefore, knew she had to address the 2016 election and all that has happened since… but in her own way. There’s a bittersweet beauty to the passing of time – the changes it brings are just as often heartbreaking as they are heartwarming. The inevitable tension that arises from that sway is Gretchen Peters’ most trusted muse. With melody supporting that melancholy, the songs on the new album combine to lift the effort over the high artistic bar set by her last outing, 2015’s award-winning Blackbirds. Whether a single sentence or a simple setting, once planted, even the tiniest seed can grow into a vision unto itself. Strung together and populated with strong and broken female heroines, those vignettes make up Dancing with the Beast and, indeed, Peters’ entire discography. Beauty tempered by dread, sorrow buoyed by hope, these are the ever-present tugs of war that make life worth living and songs worth writing. And they are the over-riding themes that make Gretchen Peters one of her generation’s most compelling singer/songwriters.



Soggy Marley: Rebelion Rises
The other day I was texting my pal Brian about New Releases, and my phone auto-corrected “Ziggy” to “Soggy”…laugh…Eight-time Grammy award winning musician and reggae icon Ziggy Marley releases his seventh full-length solo studio album, Rebellion Rises. Fully written, recorded and produced by Marley, this passionate and indelible collection of music encourages people to stand together in activism through love. “The rebellion begins in the mind, the melody, and the music,” assures Ziggy. “We are a conduit of that. The rebellion is consciousness. Now the consciousness starts spreading, we become aware and we rise.” No track embodies this message better than the album’s title track and official first single “Rebellion Rises.” A manifesto with a chant-like chorus, the song emboldens it’s listeners to use the power we all have as instruments of positive change around the world. “The better side of humanity, cannot let the side of humanity that push negativity and hatred be more willing,” Marley explained in a recent interview. “It cannot happen. It’s a battle of wills. We’ve got to have more will.” Rebellion Rises marks Ziggy’s first studio release in two years, following 2016’s critically acclaimed self-titled project which took home the 2016 GRAMMY® award for Best Reggae Album and marked his fourth consecutive debut at #1 on the Billboard Top Reggae Album Chart. No disrespect to Ziggy !



Brent Cobb: Providence Canyon
album from the Georgia-based country music singer/songwriter. Brent’s cousin Dave Cobb (now a highly decorated producer) helmed Dave’s 2006 debut and his 2016 album Shine On Rainy Day-and now they’re back together for Brent’s Providence Canyon release, a country-rockin’ gem full of richly detailed songs and some fine, fine grooves. The single “King of Alabama” (his loving tribute to Wayne Mills) joins “Come Home Soon,” “Lorene,” “Mornin’s Gonna Come,” the title track and more. Cobb’s musical style has been described as “blue collar country” with “bluegrass-leaning inclinations.” Some have noted that his sound is closer to Americana than contemporary country music.



Beach House: 7
the seventh full length album from dream pop band Beach House. “At it’s release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a home studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song. 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection.”



Leon Bridges: Good Thing
The river of soul music flows on deep and strong, and 26-year-old Leon Bridges is immersed in it’s life-giving current. The Forth Worth, Texas native and Grammy Award-nominated Columbia Records artist released his Gold-selling, debut album, Coming Home, in June of 2015 to critical and public acclaim. “I’m not saying I can hold a candle to any soul musician from the ’50s and ’60s,” Bridges says, “but I want to carry the torch.”. 2018 sees Bridges release his highly anticipated second album, Good Thing. Though Bridges has drawn comparisons to Marvin Gaye and Sam Cooke, the millennial artist has spent his time in between albums making surprising collaborations with those outside of his designated genre. Bridges has toured with pop dreamboat Harry Styles and has been featured on tracks with rapper Lecrae and EDM duo ODESZA. Good Thing was released on May 4, and left off our last newsletter in error. That fact was pointed out by a subscriber via BookFace. Thank you! It’s good to know people read this thing….

Quatro de Mayo Be With You !

NEW RELEASES for May 4 2018 (out now) include:


Neil Young: Roxy – Tonight’s The Night Live
Live archive release from the rock icon. Roxy – Tonight’s The Night Live is one of the most sought-after recordings from his vast archives. This was the first public performance of many of the songs that would make up Young’s seminal album Tonight’s The Night, which would not be released until June 1975. The album’s final track “Walk On” would not appear until the release of On The Beach, in July 1974. Young would be the first artist to christen the stage at what would become one of the world’s great clubs, The Roxy Theater on the riotous Sunset Strip, right next door to the already infamous Rainbow Bar & Grille. The shows took place on September 20-22, 1973. Produced by Young and the late David Briggs, these resultant recordings were mixed by John Nowland with updated post-production and mastering by John Hanlon – along with Chris Bellman – at Bernie Grundman Mastering using the original analog master tape source. Close your eyes and you’ll be right there in that dark, smoky, 500 capacity room in West, L.A. on a hot summer night in 1973. Tonight’s The Night would go on to be named one of Rolling Stone’s 500 Greatest Albums Of All Time, and universally praised for it’s dark honesty and unapologetic raw delivery. The very same can be said for Roxy – Tonight’s The Night Live.



Janell Monae: Dirty Computer
the third studio album by singer, songwriter, rapper, record producer, actress, and model Janelle Monáe. Dirty Computer is the follow up to her critically acclaimed studio albums, The ArchAndroid (2010) and The Electric Lady (2013). Includes the singles “Make Me Feel” and “Django Jane”.



Dr. Dog: Critical Equation
‘I feel like I’m in a totally new band right now’ says Dr. Dog guitarist/singer Scott McMicken. It’s a bold declaration considering he’s been co-fronting the beloved indie outfit for a decade-and-a-half, but it cuts straight to the heart of the intense and transformative experience behind the group’s brilliant album, Critical Equation. Produced by Gus Seyffert (Bedouine, Michael Kiwanuka), Critical Equation is the most infections and adventurous collection Dr. Dog has laid to tape yet. The record was born from a journey of doubt and discovery, a heavy, sometimes painful reckoning that ultimately brought the band closer together with more strength and clarity than ever before. Call it an existential awakening, call it a dark night of the soul, whatever it was, it fueled one of the most fertile creative periods in the group’s history.



Van Morrison and Joey DeFrancesco: You’re Driving Me Crazy

Van Morrison Joins Forces with Jazz Organ Virtuoso Joey DeFrancesco on You’re Driving Me Crazy, a New Studio Album from Legacy Recordings.
Morrison’s 39th Studio Collection Showcases Electrifying Musical Collaborations, Fresh Interpretations of Blues/Jazz Standards and Deep Cuts from Van’s Songbook
Legacy Recordings, a division of Sony Music Entertainment, will release Van Morrison’s new 39th studio album, You’re Driving Me Crazy, a musical collaboration with Hammond organ virtuoso and trumpet master Joey DeFrancesco, on Friday, April 27.
The successor to Versatile, Van’s chart-topping jazz album from 2017, You’re Driving Me Crazy will be available in 1CD/2LP physical configurations. A limited edition 7″ single–featuring Van Morrison’s “Close Enough For Jazz” b/w Morrison’s stunning rendition of Guitar Slim’s “The Things I Used To Do”–will be available for Record Store Day 2018 (celebrated at independent record stores nationwide on Saturday, April 21).
A new milestone in Van Morrison’s ever-expanding catalog of essential recordings, You’re Driving Me Crazy finds the iconic Irish singer-songwriter-performer exploring a variety of jazz and blues standards and classics (“Miss Otis Regrets,” “The Things I Used to Do,” “Every Day I Have the Blues”) alongside fresh interpretations of songs from Van’s own catalog (“Have I Told You Lately,” “The Way Young Lovers Do,” “Magic Time”).
You’re Driving Me Crazy finds Morrison collaborating in the studio with DeFrancesco and his band–including Dan Wilson (guitar), Michael Ode (drums) and Troy Roberts (tenor saxophone). DeFrancesco, who signed his first deal with Columbia Records at the age of 16, has performed with Miles Davis, John McLaughlin, Grover Washington, Jr. and many more while leading his own band, and is responsible for bringing the classic Hammond organ sound back to the world of jazz in the late 1980s.
The release of You’re Driving Me Crazy caps more than a year of non-stop activity for Van Morrison, who released his 37th and 38th studio albums (Roll with the Punches and Versatile) in quick succession in the fall and winter of 2017. Roll With The Punches became his 13th album to reach the Top 10 of the U.K. charts, while Versatile topped Billboard’s jazz chart.
The world of jazz has provided a vital ongoing influence on the music of Van Morrison, whose acclaimed 1968 studio masterpiece, Astral Weeks, showcased jazz musicians Connie Kay, Jay Berliner, and Richard Davis. Inspired by the spontaneity, soul and sound of jazz, Morrison has performed on stage and/or in the studio with a variety of jazz and blues musicians including John Lee Hooker, Ray Charles, Mose Allison, Bobby Bland, Solomon Burke, Jeff Beck, Georgie Fame, Robbie Robertson, Freddie Hubbard, Chick Corea, Herbie Hancock, Maceo Parker, Candy Dulfer and others.
Joey DeFrancesco is a prolific American jazz organist, trumpeter, and vocalist and Grammy-nominee who signed his first record deal (with Columbia Records) at the age of 16 and has gone on to release more than 30 albums. He has performed on stage and in the studio with a wide variety of artists including Miles Davis, Jimmy Smith, Ray Charles, Bette Midler, David Sanborn, Arturo Sandoval, Larry Coryell, Frank Wess, John McLaughlin, Danny Gatton, Elvin Jones, and many more. DeFrancesco is a nine-time winner of the Down Beat Critics Poll (organ) and has won the Down Beat Readers Poll every year since 2005. He has won a number of JazzTimes Awards and is an inaugural member of the Hammond Hall of Fame.



Willie Nelson: Last Man Standing
is the follow up to last year’s God’s Problem Child which was universally praised and resulted in a #1 Country Album and a Top 10 Billboard debut in the US. Willie co-wrote each of the 11 songs with producer Buddy Cannon who has been Willie’s main producer for close to a decade and the two have forged a close songwriting bond that is only getting more prolific. If God’s Problem Child was about mortality, Last Man Standing is largely about life – that is, how endure it, when to persist and the result is some of the strongest songwriter of Nelson’s illustrious career as he gets ready to celebrate his 85th birthday (on April 29th, two days after the album’s release).



Marcia Ball: Shine Bright
Marcia is simply on fire throughout Shine Bright, with a rollicking array of piano-fueled roadhouse romps seasoned by her incomparably soulful balladry. Tracks include nine new Marcia originals, plus brilliant takes on the music of Ray Charles, Ernie K-Doe and Jesse Winchester. Producer/ saxophonist Berlin guests on five tracks.



The Flaming Lips: Scratching The Door: The First Recordings
is a compilation that features music recorded by the band’s original lineup. Scratching The Door highlights tracks recorded by The Flaming Lips’ original line-up, which featured Wayne Coyne’s brother Mark on vocals. The album includes the band’s first and second cassette demos, in addition to The Flaming Lips first self-released EP, and marks the first time all of these recordings have been collected together on a single release. Among the other featured tracks are covers of The Who’s “Anyway, Anyhow, Anywhere,” Led Zeppelin’s “Communication Breakdown” and the theme song from the 1960’s Batman television series, which previously appeared on Rykodisc’s 2002 compilation, Finally The Punk Rockers Are Taking Acid.



Joshua Hedley: Mr. Jukebox
An accomplished fiddle player, Hedley felt inexplicably drawn toward the instrument as a child. He got his hands on his own fiddle at age 8, and by 12, he was playing with middle-aged pickers at the VFW. At 19, he moved from his native Florida to Nashville, where he became an in-demand sideman at Robert’s Western World and other bars, and ultimately, a well-respected frontman. Armed with an easy croon and prodigious fiddle playing, he became known as the Mayor of Lower Broad. He hit the road to perform with artists including Jonny Fritz, Justin Townes Earle, and more, while the 2015 documentary Heartworn Highways Revisited featured Hedley prominently. Hedley didn’t start writing his own songs until he was about 28 years-old. So on the backend of his 20s, he finally started writing, eventually unlocking a fl ood of clarity and creativity. The heartbreaking, distilled, defiantly classic country that poured out of him became Mr. Jukebox, a salve and beacon for 60s honky-tonk devotees everywhere.



Peter Rowan: Carter Stanley’s Eyes
Peter Rowan was just a young bluegrass boy when he caught the attention of Bill Monroe, who made him an actual Blue Grass Boy in 1963, or maybe ’64. Rowan isn’t certain exactly when he became the band’s guitarist and lead singer, but the moment Monroe introduced him to fellow icon Carter Stanley is etched in his memory just as indelibly as the inked entry in his 1966 diary. Within a few months, Stanley would be gone, but the impact he and his brother, Ralph, had on Rowan – and the world – would grow even stronger. He acknowledges their influence, and finally gives the story of that meeting a definitive telling, with his debut Rebel Records release, Carter Stanley’s Eyes. Rowan, who produced, gathered several luminaries to join him on the journey: lead guitarist Jack Lawrence, of Doc Watson’s band; mandolinist/vocalist Don Rigsby, whose 2010 album, Doctor’s Orders: A Tribute to Ralph Stanley, features Stanley and alums of his Clinch Mountain Boys; guitarist/vocalist Tim O’Brien (Bluegrass Dukes, Hot Rize); percussionist Jamie Oldaker (Eric Clapton); and banjoist/guitarist/vocalist Patrick Sauber (seen in the film A Mighty Wind). They’re joined by Rowan’s Bluegrass Band mates: Blaine Sprouse on fiddle and vocals, Chris Henry on mandolin and vocals and Paul Knight on acoustic bass. Together, they do indeed honor their forebears, staying faithful to tradition instead of going for what Rowan calls the “razzle-dazzle”of progressive bluegrass or jamgrass. “To me, the importance of the music is in the songs,” he says. “It’s about the poetic material. Bluegrass is part of a literary tradition, a poetic tradition.”



Neil Young + Promise of the Real: Paradox
Paradox (Original Music from The Weaksauce Film) features music from Young + POTR and Young with an orchestra recorded on the MGM Soundstage, Young backed by Jim Keltner, Paul Bushnell and Joe Yankee, and several solo electric guitar passages. All music was recorded spontaneously with no overdubs (with the exception of Joe Yankee, who phoned in his part from Canada) and provides the soundtrack to Paradox, the film. One of the most influential artists of all time, Neil Young has set a standard of artistic integrity and iconoclastic creativity. Before starting his multi-platinum solo career, he was a founding member of the folk-rock band Buffalo Springfield and worked with the groups Crazy Horse and Crosby, Stills and Nash. The Canadian singer-songwriter was recognized by the Rock and Roll Hall of Fame in 1995 for his work as a solo artist and was inducted into the Canadian Music Hall of Fame in 1982.



The Who: LIVE at The Fillmore East 1968
is the 50th anniversary of these legendary unreleased recordings from the Fillmore East, New York City, Friday April 5 and Saturday April 6, 1968. The Who were in New York to conclude a grueling tour on April 4th, 1968, the day that Dr. Martin Luther King Jr. Was assassinated. America was already a country divided; Anti-Vietnam demonstrations, civil rights disturbances and militant student activism. With this turmoil as a backdrop, The Who performed two incendiary live sets at Bill Graham’s legendary Fillmore East on the lower East Side of Manhattan. Features stunning extended versions of ‘My Generation’, ‘A Quick One…, ‘ ‘Shakin’ All Over’ and two ripping versions of Eddie Cochran numbers – ‘Summertime Blues’ and ‘C’mon Everybody’ (the latter unavailable elsewhere).



Shuggie Otis: Inter-Fusion
fusion rock project from guitar legend, Shuggie Otis! Features commanding drummer Carmine Appice (Vanilla Fudge/Beck Bogert & Appice) and stellar bassist Tony Franklin (The Firm/Roy Harper). Shuggie Otis is a singer-songwriter, recording artist, and multi-instrumentalist. Otis’s composition “Strawberry Letter 23” (as recorded by The Brothers Johnson) topped the Billboard R&B chart and reached #5 of the Billboard Hot 100 chart in 1977. He also achieved commercial success with his 1974 single “Inspiration Information” (from the album of the same name), reaching #56 on the R&B chart. Born in Los Angeles, California, Otis is the son of rhythm and blues pioneer, musician, bandleader, and impresario Johnny Otis who was of Greek descent and his wife Phyllis Walker who was of African American and Filipino descent.



Ashley Monroe: Sparrow
The album, her fourth, was recorded with producer Dave Cobbin Nashville’s legendary RCA Studio A. Working with some of her closest collaborators, including Brendan Benson and Waylon Payne, and longtime friends Anderson East and Angaleena Presley, Monroe wrote all of the songs on Sparrow. She recorded the album while she was pregnant with her first child. “I felt powerful,” she says. “I wasn’t puffing, I wasn’t drinking wine, I was just singing.”



SLEEP: The Sciences
“It must be gratifying for SLEEP to hear the audience roar in approval when guitarist Matt Pike plays the opening notes of Dopesmoker, the live set version coming in around 40 minutes, slimmed down from the studio recording, which clocks in at a little over an hour and three sides. Years after the release of Volume One in 1991, Sleep’s Holy Mountain in 1992 and Dopesmoker in 2003, Matt Pike hard at work with HIGH ON FIRE and bassist / vocalist Al Cisneros with OM, heavy music needed one of it’s essential minerals back. In 2009, falling in on either side of NEUROSIS drummer Jason Roeder, SLEEP, like a wooly mammoth awoken from centuries of frozen slumber, once again walked the earth. You could almost hear the universe sigh in relief that SLEEP was back. 2014 saw SLEEP release a single sided 12″ with a new song, The Clarity, giving fans a glimpse of what would hopefully be more to come. And so, the wait began… All good things take time. In 2018 SLEEP fans will have a reason to break out their fi nest and get it lit because record stores all over the world will have the new SLEEP album. SLEEP has live shows slated for this year. Their studio work is tremendous. However, SLEEP in the live setting must be witnessed to be understood. That three people can create such a perfect, truly massive yet complex and dynamic sonic environment is what keeps their shows selling out. Truly, the band is not to be missed. May it never end. DISCLAIMER: Any attempts to describe the music of SLEEP render this writer almost completely useless. They are that good. PRESCRIPTION: Listen to Dopesmoker as often as possible and prepare for what is to come.” – Henry Rollins, March 2018



Sting & Shaggy: 44/876
a collaboration between former Police frontman and solo superstar Sting and Jamaican singer/songwriter Shaggy. The island-influenced album reflects their mutual love of Jamaica – it’s music, the spirit of it’s people and vibrancy of it’s culture. Sting and Shaggy wrote and jammed together for a few weeks in New York City, creating music that seamlessly blends Caribbean rhythms-in traditional and modern styles-with pop craftsmanship and rock energy.



Lord Huron: Vide Noir
the third studio album by rock band Lord Huron. After recording their second album, Strange Trails, in 2014, and releasing it in early 2015, the band would tour heavily in support of it’s release in the next few years. This exposure would eventually lead to the band having one of their songs, “The Night We Met”, be used in the Netflix show 13 Reasons Why, in turn leading to the song breaking into the Billboard US all-format Hot 100 chart at number 84. Vide Noir is their first album to be recorded for a major record label, and was mixed by veteran music producer Dave Fridmann, who had previously worked with Tame Impala and The Flaming Lips



Old Crow Medicine Show: Volunteer
New release from Grammy award-winning roots band Old Crow Medicine Show. The album was recorded at the historic RCA Studio A and produced by Dave Cobb (Chris Stapleton, Jason Isbell, Sturgill Simpson). Since the release of their last Grammy-winning studio effort Remedy, Old Crow Medicine Show has taken their versatility to another level, by not only reinterpreting Bob Dylan’s seminal album Blonde On Blonde, but also collaborating with pop sensation Kesha. Volunteer is yet another fine example of how Old Crow Medicine Show remains one of the most vibrant and forward thinking traditional bands of their time. The songs on Volunteer illustrate themes that resonate far beyond Old Crow Medicine Show’s diverse fan base, while also showcasing the depth in the group’s songwriting.



Brothers Osborne: Port Saint Joe
the sophomore release from country music outfit Brothers Osborne. The two-time CMA Vocal Duo of the Year released their single “Shoot Me Straight” off the project which was produced by Jay Joyce (Eric Church, Little Big Town). John and TJ Osborne co-wrote every track on Port Saint Joe along with frequent collaborators Lee Thomas Miller, Kendall Marvel, Barry Dean, Shane McAnally, Troy Verges and more. Brothers Osborne is an American country music duo consisting of brothers T.J. Osborne (lead vocals) and John Osborne (guitar, background vocals). They are signed to EMI Nashville. Allmusic describes the duo as recording ” earthy, passionate country-rock.”



A Perfect Circle: Eat The Elephant
the fourth studio album by rock band A Perfect Circle. This is the band’s first album release in fourteen years, after 2004’s Emotive. A Perfect Circle formed in 1999 when Tool vocalist Maynard James Keenan, burned out by the band’s legal issues in the late 1990s, offered to sing on material that then-guitar tech Billy Howerdel had been writing for his own musical endeavors. The two, with a rotating door of other musicians, recorded and released two platinum selling albums in the US; Mer de Noms in 2000 and Thirteenth Step in 2003, before the two started thinking about taking a hiatus.

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The 50/50’s are coming out of retirement to play at the Last Record Store !
It will no doubt be an epic and not to be missed event !
The Satan Sisters (Oakland) will be opening up.
Saturday, July 28 at 2:05 PM – 4:20 PM
More details TBA

New Releases for April 2018 (out now)

Save this date:

Saturday April 21: Record Store Day

The Special Releases will blow your mind.
Could be best RSD yet…

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NEW RELEASES for April 2018 (out now) include:


Kacey Musgrave: Golden Hour
the fourth album from country music singer/songwriter Kacey Musgraves. Kacey describes this album as having a “trippy” twist, citing the Bee Gees, Sade, and Neil Young as influences. In addition to reuniting with previous collaborators such as Luke Laird, Shane McAnally, and Natalie Hemby, Musgraves sought out pals Ian Fitchuk and the Silver Seas’ Daniel Tashian as her primary co-producers and co-writers. Musgraves wrote and recorded most of the songs from the album throughout 2017; about the writing process she said: “I have a lot more love songs this time around, and I’ve never been one to write a love song and really feel it,”. She continued: “That probably sounds like the most depressing thing ever. [But] I’m coming off getting married and being in this golden hour of my personal life, where all these things are finally coming to fruition. I found myself inspired to write about this person and all these things he brought out in me that weren’t there before”.



Mary Chapin Carpenter: Sometimes Just The Sky
Sometimes Just the Sky is not a greatest hits endeavor or a remastered compilation. It’s not a celebration or a souvenir. It is a reimagining of a most unusual nature. It is a collection of songs written across the decades, recorded in bucolic western England at Real World Studios with the great producer Ethan Johns. Carpenter sat with new and old friends who circled together in a wooden room and made music, in real time. What we hear is precisely what was played and sung, all at once. There’s a song originally recorded for each of Carpenter’s original studio records, and then there’s a new song, which was aided and abetted by hillside contemplation and a punk poet’s advice.



Ben Harper and Charlie Musselwhite: No Mercy In This Land
No Mercy In This Land is a blues record by Ben Harper and Charlie Musselwhite. Charlie Musselwhite and Ben Harper were introduced to one another by John Lee Hooker. The legendary musician thought the two men should play together, so he brought them into the studio to record a song called simply “Burnin’ Hell.” The two remained friends and their paths periodically crossed out there on the road. But it wasn’t until 2013 that the two met up in a studio to record what would be their Grammy winning album Get Up!. And as good as that record was, it was just the beginning. Both men agree that their friendship deepened in the many months of touring that followed. And it’s that bond, that closeness, that makes this new record something special. At first glance, Ben Harper and Charlie Musselwhite might seem an unlikely pairing. While Ben grew up in in the tree lined Southern California college town of Claremont, a bastion of culture and liberalism just east of Los Angeles, Charlie was raised in Memphis during the time of rockabilly and Sun Records. But while the two might have come to their musical knowledge in different eras and places, as Charlie explains, “We were both searchers and we’re still seeking.” Each of them possess an enduring hunger for musical knowledge that came to them early.



Bettye LaVette: Things Have Changed
For her tenth album and first album on a major label in nearly fifty years, legendary soul singer Bettye LaVette takes on the songs of Bob Dylan with the grit and experience that makes her one of the greatest soul singers alive. Things Have Changed is a masterpiece of interpretation of one of the greatest songwriters alive, by one of the greatest soul singers alive. Produced by Steve Jordan, the album spans Dylan’s catalogue and features guest appearances by Keith Richards and Trombone Shorty.



JOHNNY CASH: FOREVER WORDS
For nearly 60 years, the words of Johnny Cash have reached across cultural, spiritual and ideological borders. He was not only a singer of great songs, but a teller of universal hard truths about justice, faith and independence. It is in this spirit the new album, JOHNNY CASH: FOREVER WORDS, was created.
When Johnny Cash and June Carter Cash passed, they left behind what their son and JOHNNY CASH: FOREVER WORDS producer, John Carter Cash, describes as a “monstrous amassment of ‘things’” which included his father’s handwritten letters, poems and documents, ranging through the entirety of his life.
Over the past two years, a stellar cast of contemporary artists were invited by John Carter Cash to create new music to accompany these newly discovered Cash writings. These artists have adapted his words honestly and uniquely as they see fit, further showcasing the diversity and universality of Johnny Cash as a writer and storyteller.

  • Album of Johnny Cash’s unknown poetry, lyrics, and letters set to music by an astounding array of contemporary artists
  • Recorded primarily at the Cash Cabin in Hendersonville, TN and produced by Johnny Cash and June Carter Cash’s son, John Carter Cash and Steve Berkowitz
  • Includes recordings by Ruston Kelly & Kacey Musgraves, Chris Cornell, Rosanne Cash, Alison Krauss & Union Station, Kris Kristofferson & Willie Nelson, Brad Paisley, John Mellencamp, Elvis Costello, and more
  • Follows the bestselling book, JOHNNY CASH – FOREVER WORDS: THE UNKNOWN POEMS

Among the featured artists on JOHNNY CASH: FOREVER WORDS:

  • Ruston Kelly & Kacey Musgraves : The real-life couple and newlyweds record, “To June This Morning,” a song with lyrics taken from an actual letter Johnny Cash wrote to his wife, June Carter Cash.
  • Chris Cornell: 21 years after Cash released a cover of Soundgarden’s “Rusty Cage” for the Grammy-Award winning album Unchained, Cornell comes full circle, setting some of Cash’s own poignant and introspective words to original music on “You Never Knew My Mind,” one of his last solo recordings.
  • Rosanne Cash: Cash’s eldest daughter interprets her father’s “The Walking Wounded,” marking only the second time she has collaborated with her half-brother, John Carter Cash.
  • Alison Krauss & Union Station: The Grammy Award winning bluegrass group releases “The Captain’s Daughter,” their first new studio recording together in six years.
  • Kris Kristofferson & Willie Nelson: The American music icons and lifelong friends of Cash open the album with “Forever / I Still Miss Someone” featuring Kristofferson reciting the last poem Cash ever wrote, alongside Nelson’s unmistakable acoustic guitar accompaniment.

Last fall, the publication of the best-selling Johnny Cash – FOREVER WORDS: THE UNKNOWN POEMS (Blue Rider Press) added a new layer to The Man in Black’s artistic influence. This collection of never-before-published poems, edited and introduced by Pulitzer Prize-winning poet Paul Muldoon, gave the reader



Elvis Presley: The Searcher
features 18 tracks including familiar hit recordings (“Heartbreak Hotel,” “Are You Lonesome Tonight?”), powerful vocal performances (“That’s All Right,” “Tomorrow Is a Long Time,” “Trouble/Guitar Man”) and rare outtakes (“Suspicious Minds,” “Separate Ways”). Original soundtrack to the multi-part 2018 documentary Elvis Presley: The Searcher, directed by Thom Zimny and airing on HBO. The Searcher pushes past the larger-than-life image of The King of Rock and Roll, portraying him instead as a man and an artist “who wanted to heal, to find that thing that was always felt to be missing, and to do it through the music.”



The Weeknd: My Dear Melancholy
My Dear Melancholy, is the first extended play (EP) by Canadian singer and songwriter The Weeknd. It has been referred to alternatively as an album and a mini-album, and was released on March 30, 2018, by XO and Republic Records. Primarily produced by Frank Dukes, who serves as an executive producer alongside The Weeknd, it features contributions from Gesaffelstein, as well as DaHeala, Mike Will Made It, Skrillex and Daft Punk’s Guy-Manuel de Homem-Christo, among others. The project has been described as a return to the darker style of The Weeknd’s earlier work, such as Trilogy and Kiss Land.



John Prine: The Tree of Forgiveness
Highly-anticipated 2018 album from the veteran singer/songwriter. The Tree of Forgiveness is Prine’s first collection of new material since 2005’s Grammy-winning Fair and Square. Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville’s historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called “God Only Knows.” Another incomplete song, “I Have Met My Love Today,” now celebrates the unexpected spark that leads to lifelong romance – with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.



Beth Hart: Front and Center
Taking it’s name from Public Television’s acclaimed concert series “Front and Center” (which featured this performance), this live release arrives 13 years after Beth’s highly prized release “Live at Paradiso.” Her soulful burnt-honey vocals are in peak form as you watch this set at the Iridium in NYC: “Let’s Get Together,” “Baddest Blues,” “Jazz Man,” “Leave the Light On,” “Can’t Let Go” and more. You get a bonus CD of the concert, and the DVD adds songs not seen in the PBS broadcast plus an interview with Beth! Provogue.



Laura Veirs: The Lookout
A prolific songwriter for over 20 years now, Laura Veirs proves the depth of her musical skill on her tenth solo album, The Lookout. Here is a batch of inimitable, churning, exquisite folk-pop songs; a conceptual album about the fragility of precious things. Produced by Grammy-nominated Tucker Martine, Veirs’ longtime collaborator, The Lookout is a soundtrack for turbulent times, full of allusions to protectors: the camper stoking a watch fire, a mother tending her children, a sailor in a crows nest and a lightning rod channeling energy. The Lookout draws on the talents of a time-tested crew of musicians: Karl Blau, Steve Moore, Eli Moore, Eyvind Kang and Martine. Says Veirs, “These guys are a good hang, ego-free and wonderful players who just want to serve the songs.” Sufjan Stevens and Jim James provide guest vocals. For Martine, who fell, almost two decades ago, for Veirs’ unique sound after listening to a tape cassette she’d sent him in the mail, this album reflects a bar that keeps getting raised. Both familiar and strange, The Lookout gets better with repeated listens, warming to the skin like a cherished saddlebag, critical for the journey ahead.



The Nels Cline 4 : Currents, Constellations
Following the release of Nels Cline’s expansive Blue Note debut Lovers which found him fronting a 23-piece ensemble arranged by Michael Leonhart, the Wilco guitarist pares it down to The Nels Cline 4 for his project Currents, Constellations. The album features Cline alongside fellow guitarist and frequent collaborator Julian Lage, bassist Scott Colley, and drummer Tom Rainey on a set of seven Cline originals plus one piece by composer Carla Bley. Nels Cline first came to prominence in the 1980s playing jazz, often in collaboration with his twin brother Alex Cline, a drummer. Since then, he has worked with a wide range of musicians in punk and alternative rock, notably Mike Watt and Thurston Moore.

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NEW RELEASES for March 2018 include

Jack White: Boarding House Reach

BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist’s creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain — crunching rock ‘n’ roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country — all remapped and born anew to fit White’s matchless vision and sense of restless experimentation.
BOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA. The album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. The album features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. He’s backed by a remarkable new lineup of musicians that includes: drummer Louis Cato (Beyoncé, Q-Tip, John Legend, Mariah Carey), bassists Charlotte Kemp Muhl (The Ghost of a Saber Tooth Tiger) and NeonPhoenix (Kanye West, Lil Wayne, Jay-Z), synthesizer players DJ Harrison and Anthony “Brew” Brewster (Fishbone, The Untouchables), keyboardists Neal Evans (Soulive, Talib Kweli, John Scofield) and Quincy McCrary (Unknown Mortal Orchestra, Pitbull), percussionists Bobby Allende (David Byrne, Marc Anthony) and Justin Porée (Ozomatli), and backing vocalists Esther Rose and Ann & Regina McCrary of Nashville’s beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers Daru Jones (Nas, Talib Kweli) and Carla Azar (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter C.W. Stoneking also appears, contributing a stirring spoken word performance to the album’s “Abulia and Akrasia.”
Jack White is a 12-time GRAMMY® Award-winner and 35-time nominee. His most recent full-length release, 2016’s JACK WHITE ACOUSTIC RECORDINGS: 1998-2016 (Third Man Records/Columbia), collected 26 acoustic-based songs from throughout White’s wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased material from The White Stripes, The Raconteurs, and White’s groundbreaking solo career. The collection debuted at #1 on Billboard’s “Vinyl Albums” chart upon its September 2016 release – a position also achieved by 2012’s RIAA gold certified solo debut, BLUNDERBUSS, and 2014’s chart-topping LAZARETTO, both of which debuted at #1 on the Billboard Top 200 as well.


The Decemberists: I’ll Be Your Girl

The Decemberists explore a new sound on their inspired eighth studio album I’ll Be Your Girl. The acclaimed Portland, Oregon-based band worked with producer John Congleton (St. Vincent, Lana del Ray) and embraced influences such as Roxy Music and New Order to spark a new creative path, as evidenced on synth-driven lead single “Severed.” I’ll Be Your Girl is the band’s first studio album since 2015’s What a Terrible World, What a Beautiful World. In addition to their lyrics, which often focus on historical incidents and/or folklore, The Decemberists are also well known for their eclectic live shows. Audience participation is a part of each performance, typically during encores. The band stages whimsical reenactments of sea battles and other centuries-old events, typically of regional interest, or acts out songs with members of the crowd.



Chris Smither: Call Me Lucky
A new Chris Smither album is always an event and this one is no exception with its eight new original Smither songs and three covers – Chuck Berry’s “Maybelline”; “Sitting On Top of the World” by The Mississippi Shieks and “She Said She Said” by The Beatles. There are two CDs – the first one with the eight new songs and the three covers and the second (the ‘B side’) contains different versions of five of the new songs.


Paul Thorn: Don’t Let The Devil Ride

Don’t Let the Devil Ride collects soulful songs originally cut by black southern gospel groups, and features guests Blind Boys of Alabama, the McCrary Sisters, the Preservation Hall Jazz Horns, and Bonnie Bishop. The album was recorded at three temples of sound: the Sam C. Phillips Recording studio, whose namesake gave another son of Tupelo his start; at FAME Studios in Muscle Shoals, where Thorn worked as a songwriter for legendary producer Rick Hall early in his career; and at Preservation Hall, where horn players from the celebrated jazz venue lent songs a New Orleans vibe. Few of the songs here are well known. Billy Maddox, album co-producer, found most of them while digging through releases from small gospel labels in Mississippi and Alabama. The most familiar track here is no doubt Thorn’s relaxed tempo version of the O’Jays “Love Train,” a song whose feel-good qualities readily adapt to a gospel setting. The new release marks Thorn’s first time recording gospel music, after a dozen albums in roots-rock mode, though his upbringing has previously been reflected in his creation of a body of strikingly original songs. The other songs stretch back much farther, but their themes – of redemption, taking stock of one’s life, and resilience in the face of troubles – are universal, making them readily adaptable to the fresh takes here.


Best Of The Grateful Dead Live: 1969-1977

Two CD set. Made for die-hard Dead Heads and new fans alike, The Best Of The Grateful Dead Live is the ultimate live collection. Includes recordings selected from the band’s official live albums on Warner Bros. And Arista, plus a few tracks from their many archival live releases, beginningwith “St. Stephen” -from the group’s first official live album, 1969’sLive/Dead- and ending with the poignant “So Many Roads, ” taken from the band’s final concert at Chicago’s Soldier Field in July of 1995.


Wynton Marsalis: United We Swing

Recorded between 2003 and 2007, United We Swing finds an unparalleled array of musical talent that collectively boasts 94 Grammy Awards joining Jazz at Lincoln Center Managing and Artistic Director Wynton Marsalis (a nine-time Grammy Award winner himself) and his Septet. Together, they perform blues-inflected versions of iconic American repertoire and celebrate the red, white, and Blues. These one-night-only, live performances have never been released before. They include Lenny Kravitz performing Marsalis’s hypnotizing, New Orleans-inflected arrangement of Kravitz’s own song, “Are You Gonna Go My Way”; Susan Tedeschi and Derek Trucks uniting for a stirring, infectious take on Civil Rights anthem “I Wish I Knew How It Would Feel to Be Free”; Bob Dylan adding harmonica licks to a deeply felt, in-the-pocket rendition of “It Takes a Lot to Laugh, It Takes a Train to Cry”; and Ray Charles taking the stage for one of his final performances to play “I’m Gonna Move to the Outskirts of Town.” Together these artists raise their voices to highlight jazz’s importance to America’s cultural heritage and to remind us that, even in divided times, music can unite us all. All proceeds from the album will go toward Jazz at Lincoln Center’s education programs, which introduce thousands of children to jazz each year.

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