LIVE Music in your future:
our buddy Timothy O’Neil performs Saturday at LRS
Music starts 2pm-ish
LIVE Music in your future:
our buddy Timothy O’Neil performs Saturday at LRS
Music starts 2pm-ish
NEW RELEASES OUT NOW:
Creedence Clearwater Revival: LIVE at Woodstock
Live archive release. This album represents the first-ever official release of Creedence Clearwater Revival’s legendary Woodstock performance in it’s entirety. CCR were one of the few bands to appear at Woodstock, who had already achieved notable chart success. However, for many their appearance flew under the radar – largely in part to the band not appearing in the movie or the soundtrack which were released post-festival. Their hour-long set took place shortly after midnight on 17 August 1969, a later than planned start due to the Grateful Dead’s set over-running. Kicking off with “Born on the Bayou,” the album features the band’s biggest singles of the day, plus selections off their first three LPs, including “Commotion,” “Ninety-Nine and a Half (Won’t Do)” and “Bootleg.” Full of creative energy, John, Tom, Stu, and Doug delve deep into their music, playing extended improvisations of “I Put a Spell on You,” “Keep on Chooglin'” and “Suzie Q.”
Tyler Childers: Country Squire
Country Squire is the follow-up to his 2017 album Purgatory. The album was produced by Sturgill Simpson. The album cover artwork was done by Tony Moore (the Walking Dead, Deadpool, Fear Agent and Punisher).
NOW That’s What I Call Music! Vol. 71
features 16 major current hits from today’s hottest artists, including Jonas Brothers, Ariana Grande, Billie Eilish, Shawn Mendes The Chainsmokers & Bebe Rexha, Lizzo and The Old Town Road by Lil Nas X and Billy Ray Cyrus! Each numeric NOW release also features NOW What’s Next bonus tracks, previewing tomorrow’s biggest hits. NOW 71 showcases four hot new tracks from Freya Ridings, Kina featuring Snøw, Muna, and David Francisco! Look! at all the exclamation marks! Yow!!
New Tarantino Movie. Check this out:
Delbert McClinton & Self-Made Men + Dana: Tall, Dark and Handsome
TALL, DARK, AND HANDSOME by Delbert McClinton & Self-Made Men – Delbert McClinton is a legend among Texas roots music aficionados, not only for his amazing longevity, but for his ability to combine country, blues, soul, and rock & roll as if there were no distinctions between them. A formidable harmonica player long before he recorded as a singer, McClinton performed with legends like Howlin’ Wolf, Jimmy Reid, and more. McClinton’s career began in the late ’50s, yet it took him nearly two decades to evolve into a bona fide solo artist. In 1978, Emmylou Harris took his “Two More Bottles of Wine” all the way to the top of the country charts. Over the next years, McClinton placed material with stars like Wynonna, Vince Gill, Lee Roy Parnell, and Martina McBride among others. He has guest appearances with Tom Petty, Bonnie Raitt, Melissa Etheridge, BB King, Mavis Staples, and more.
Violent Femmes: Hotel Last Resort
Recorded at Denver, Colorado’s Mighty Fine Productions with GRAMMY Award-winning producer Ted Hutt (The Gaslight Anthem, Old Crow Medicine Show) and GRAMMY Award-winning engineer Ryan Mall, Hotel Last Resort resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as ‘Another Chorus’ and ‘Everlasting You’ continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.
Of Monsters and Men: Fever Dream
You think you know the Icelandic band Of Monsters and Men, but you have no idea. Within the first minute of their single ‘Alligator’ you’ll be wondering if this huge anthem is the brainchild of the Yeah Yeah Yeahs fronting Arcade Fire -all thumping drums, brimming guitars and a call-to-arms chorus about taking control. During a day of final mixing at the LA studio of their co-producer Rich Costey (Muse, Vampire Weekend, Chvrches), the five-piece gather in stages.
Freddie Gibbs and Madlib: Bandana
the second collaborative studio album by rapper Freddie Gibbs and record producer Madlib. Entirely produced by Madlib, it is the follow up to their critically acclaimed 2014 album Piñata, and their sixth project as MadGibbs overall. The album features guest appearances from Pusha T, Killer Mike, Anderson Paak, Yasiin Bey, and Black Thought.
The Flaming Lips: King’s Mouth
King’s Mouth contains twelve new original Flaming Lips compositions as well as album narration by Mick Jones (The Clash). The record is based on Wayne Coyne’s immersive art installation of the same name – which has seen it’s psychedelic visuals and soundscapes exhibited in museums all around the U.S.
Thom Yorke: Anima
the third solo album from the Radiohead frontmans. Anima was written by Thom Yorke and produced by Nigel Godrich. Yorke wrote Anima following a period of writer’s block and anxiety. Inspired by seeing electronic musician Flying Lotus improvising live with loops, Yorke and longtime collaborator Nigel Godrich developed Anima through live performances and studio work. Yorke would send Godrich “sprawling” unfinished tracks and Godrich would edit the tracks into shorter samples and loops, which Yorke wrote vocals to.
NEW RELEASES OUT NOW:
The Black Keys: Let’s Rock
the ninth studio album by The Black Keys. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. Let’s Rock was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.
The Tallest Man on Earth: I Love You. It’s A Fever Dream
the first album in four years from The Tallest Man on Earth. I Love You. It’s A Fever Dream was written, produced and engineered by Kristian Matsson and was recorded almost entirely in his apartment in Brooklyn, NY. When asked for some insight into the album, Matsson says “Here’s what I can tell you: Of course there are some love songs and then there are some other songs. Making the album I was thinking a lot about the lenses we view our lives through and that, for some reason, our worst tendencies seem to be carried out so loudly, while our best can go unnoticed. I’ve come to realize that some of the most powerful, most inspiring moments in my life have been the most subtle and that so often the thing that deserves my attention, is trying the least to get it.”
Echo in the Canyon
Echo in the Canyon – the illuminating new documentary film directed by Andrew Slater that explores the beginnings of the Laurel Canyon music scene (1965 -1967) through the stories of those who lived it, and the artists who carry it’s influence to this day – will be accompanied by a soundtrack celebrating the music of that era, to be released May 24th on BMG. The soundtrack features new studio recordings of timeless songs by The Byrds, The Mamas & The Papas and more, as interpreted by Jakob Dylan along with artists from the film including Fiona Apple, Beck, Jade Castrinos, Cat Power, Eric Clapton, Norah Jones, Regina Spektor, Stephen Stills, and Neil Young, plus songs exclusive to the soundtrack including a special performance of the Monkees’ classic “She” with Josh Homme.
Jade Jackson: Wilderness
Wilderness is a powerhouse of a record by Jade Jackson, a follow-up to her 2017 debut, Gilded. Her new work deals heavily with the in-betweens and stepping stones we dwell in and leap across while coming to terms with our sense of self, and how melancholy can be a powerful weapon to wield, especially in the form of a roots-rock or country song. Wilderness, like Gilded, was produced by Mike Ness, the SoCal punk rock legend who essentially plucked Jackson from obscurity several years ago and helped hone her craft and sound. Jackson calls Ness “a master of feel and rhythm” and credits him with showing her how to invoke more of those calling cards in her new work, in addition to those countless tools now in her arsenal that they developed together over time. As the pair’s master-pupil relationship continues to evolve, Jackson recognizes that Ness has become more open to her input while she herself has gotten more hands-on in the studio, a process that ultimately resulted in delivering the sound for which both parties were striving. “The message of ‘Wilderness’ is in how to get through tough situations-if you visualize yourself somewhere, all that good energy and intention can get you where you want to go.” – Jade Jackson.
Abdullah Ibrahim : Balance
Abdullah Ibrahim (who has also recorded as Dollar Brand) is one of South Africa’s most famous musicians. His music is often referred to as representing freedom. His major anti-apartheid anthem “Mannenberg” (released as “Capetown Fringe” in the US) thas come to be regarded as an unofficial national anthem in South Africa. He even performed at Nelson Mandela’s inauguration, where Mandela referred to him as “our Mozart. He’s played with everyone from Duke Ellington to Max Roach, John Coltrane to Ornette Coleman, and is the father of underground rapper Jean Grae. Encompassing Township-Jazz, solo piano, Highlife and plentiful modern jazz styles, this brand new studio album (recorded with his band Ekaya at RAK Studios in London,) is a major return for a genuine living Jazz legend. On April 15th 2019 Abdullah will be received into the NEA Jazz Masters fellowship, the highest honour the Unted States bestows upon jazz musicians. There are few musicians in jazz that can make you feel that all is right in the world like Abrahim THE TIMESWordless expressions of freedom and defiance THE GUARDIAN.
Chick Corea: The Spanish Heart Band – Antidote
The Spanish Heart Band – Antidote is a musical cure for a turbulent time, bringing together artists from diverse cultures to make harmonious music together. In addition to this stellar new ensemble, the recording features guest appearances by the acclaimed Panamanian vocalist Rubén Blades and gifted singers Gayle Moran Corea and Maria Bianca. “My genetics are Italian, but my heart is Spanish. I grew up with that music. This new band is a mix of all the wonderful and various aspects of my love and lifetime experience with these rhythms that have been such a big part of my musical heritage.” – Chick Corea.
NEW RELEASES OUT NOW:
Bruce Springsteen: Western Stars
Western Stars Bruce Springsteen’s first new studio album in five years. This collection of songs takes his music to a new place, drawing inspiration in part from the Southern California pop records of the late ’60s and early ’70s. The album was recorded primarily at Springsteen’s home studio in New Jersey, with additional recording in California and New York. The 13 tracks on Western Stars encompass a sweeping range of American themes, of highways and desert spaces, of isolation and community and the permanence of home and hope. Ron Aniello produced the album with Springsteen and plays bass, keyboard, and other instruments. Patti Scialfa provides vocals and contributes vocal arrangements on four tracks. The musical arrangements include strings, horns, pedal steel and contributions from more than 20 other players including Jon Brion (who plays celeste, Moog, and farfisa), as well as guest appearances by David Sancious, Charlie Giordano, and Soozie Tyrell.
The Raconteurs: Help Us Stranger
The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – return with Help Us Stranger, which is the Grammy Award-winning rock band’s third studio LP and first new album in more than a decade. Help Us Stranger sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock ‘n’ roll forward into it’s future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With Help Us Stranger, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of it’s considerable powers, once again creating a sound and fury only possible when all four of it’s members come together.
Buddy & Julie Miller: Breakdown On 20th Ave. South
Their first album together in nearly 10 years, Breakdown On 20th Ave. South is a collection of Julie Miller songs produced by Buddy Miller. Breakdown On 20th Ave. South is a first rate showcase for Julie’s finely crafted lyrics. There is a line from the track “Spittin’ on Fire” that best illustrates her sharp edged word play: “You’re a dangerous little storm, one part cold and one part warm.” The song “War Child” is a cry for help that usually goes unheard. A cry for help from thousands and thousands of children stolen from their families, forced to carry a gun at ages as young as 7 or 8. Never to see home again. Tracks like, “I’m Gonna Make You Love Me” and “Everything Is Your Fault” hint at the ups and downs of love. The entire album is tied together by Buddy’s unfussy production style. Breakdown On 20th Ave. South is a treat for long time fans of Buddy & Julie and a delightful discovery for new listeners.
Willie Nelson: Ride Me Back Home
Willie Nelson returns with another incredible addition to his legendary catalog. Once again working with longtime producer Buddy Cannon, Willie’s Ride Me Back Home sits beside 2017’s God’s Problem Child and 2018’s Last Man Standing as a trilogy of superior song craft exploring ideas of mortality with wisdom, empathy and a winking love of life. Nelson and Cannon co-wrote a handful of songs but go deep into their favorite songsmiths, great writers with great stories to tell: Sonny Throck-Morton, Guy Clark, Mac Davis, Buzz Rabin. The result is a magical collection of tunes with emphasis on the lyric. Backed by an amazing band of Nashville gunslingers, Ride Me Back Home finds Willie Nelson making some of the most inspired work of his career.
His boys Lukas and Micah have a new album too. Turn Off The News, Build a Garden
Madonna: Madame X
New release from the iconic pop superstar. Madame X is the fourteenth studio album by singer and songwriter Madonna on Interscope Records. The album follows Rebel Heart. Madonna relocated to Lisbon, Portugal in 2017. She met artists, painters, and musicians. She decided to record an album based on her musical experience in the Portuguese city, which she referred to be “a melting pot of culture musically, from Angola to Guinea-Bissau to Spain to Brazil to France to Cape Verde”.
Baroness: Gold & Grey
Gold & Grey is the fifth studio album release from Grammy-nominated, Philadelphia-based metal band Baroness. As with previous releases by the band, the album’s artwork was designed by front-man and lead singer John Dyer Baizley. This album is the band’s first to feature new guitarist Gina Gleason and was mastered by frequent Flaming Lips collaborator Dave Fridmann who also produced Baroness’ previous album. Even the likes of Pitchfork have been singing the praises of this band’s unique heavy-metal mastery, and they continue to rise with “Front Toward Enemy,” “I’m Already Gone,” “Seasons,” “Sevens,” “Pale Sun,” “Borderlines” and more.
Shellac: The End of Radio
Two CD edition. 2019 collection. The End of Radio is comprised of two previously unreleased BBC Radio Peel Sessions recorded 10 years apart – 1994 and 2004. The 1994 session was recorded at BBC Maida Vale Studio 3 and originally aired on John Peel’s BBC Radio One show in July of 1994. The 2004 Peel session is a “Live From Maida Vale” session recorded live to stereo in front of a small audience at BBC Maida Vale Studio 4. It originally aired in December of that same year. Shellac is a post-hardcore band from Chicago, Illinois, composed of Steve Albini (guitar and vocals), Bob Weston (bass guitar and vocals) and Todd Trainer (drums and vocals) and formed in 1992. Their music genre has been classified as post-hardcore and noise rock but they describe themselves as a “minimalist rock trio.”
Keb Mo: Oklahoma
Fresh off the Grammy-Award winning album TajMo, his collaboration with Taj Mahal, prolific blues musician Keb’ Mo’ returns his first solo record in five years, Oklahoma. Sonically timeless but lyrically relevant, Oklahoma solidifies Keb’ as a modern master of American roots music, a reputation he has held and expanded on throughout his 25+ year career.
Bill Callahan: Shepherd In a Sheepskin Vest
As you listen to Shepherd In a Sheepskin Vest, a feeling of totality, of completeness, steals over you, like a thief in broad daylight. Of course it does – you’re listening to a new Bill Callahan record! The first one in almost six years! What more do you need to complete you? Or perhaps, after all the time, the obvious needs to be made just a little more explicit? The sense of a life thunderstruck by change infuses Shepherd In a Sheepskin Vest – the songs wander from expressions of newfound joy and great contentment to other snapshots, considerations of the not-joy that we all know. Unsettling dream-images and mythic recollections are patiently received; the undertow of the past is resisted, pulling against it instead into the present, accepting revolutions of time and the unconscious as a natural flow.
By the mid-1980s, Prince was dominating the charts even as a writer/producer with songs he’d composed and recorded for others. In addition to releasing nine of his most commercially successful full-length albums, he also wrote and recorded endless reels of material for proteges The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, and Mazarati. Occasionally, Prince’s original demo recordings would beused as master takes on their albums, with only minor alterations to the instrumentation and a replacement of the vocal tracks. Other times, artists would rely on his demos to guide them through their own recording process, with Prince’s initial take informing their final version of his song. The aggregate effect was a complete saturation and transformation of the pop music landscape, with Prince both leading and subverting mainstream culture.
– Several of the iconic songs found on Originals were considerable hits for the artists who recorded them. Sheila E.’s “The Glamorous Life” reached #1 on the dance charts in 1984, while the enormous success of “Manic Monday” propelled the single and its accompanying album, The Bangles’ Different Light, to the #2 spot on the pop charts. The Time’s Ice Cream Castle, featuring the top 20 “Jungle Love”, spent a whopping 57 weeks on the Billboard 200. And in 1991, Martika enjoyed international success with “Love… Thy Will Be Done”, a top 10 hit in France, Australia, the UK and the USA.
Originals pulls back the curtain to reveal the origins of these familiar songs, in addition to deeper album cuts such as Vanity 6’s “Make-Up,” Jill Jones’s “Baby, You’re a Trip,” and Kenny Rogers’ “You’re My Love.” The album also features Prince’s majestic original 1984 version of “Nothing Compares 2 U,” released in 2018 as a standalone single.
Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. From Academy Award®-winning director Danny Boyle and writer Richard Curtis comes a rock-n-roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life – Yesterday, due in theatres June 28.After a mysterious global blackout wipes The Beatles from history, Jack, a struggling singer-songwriter, finds himself performing songs by the greatest band in history to a world that has never heard them.
Capitol Records – The Beatles’ U.S. record label – will release the Yesterday Original Motion Picture Soundtrack, which features new versions of The Beatles’ most beloved hits, performed by the film’s star, Himesh Patel. Album producer Daniel Pemberton, a two-time Golden Globe-nominated composer, has created a soundtrack that both reflects the film and stands alone as a true listening experience, begging to be heard from beginning to end. Most of the songs were recorded specifically for the album.”
Titus Andronicus An Obelisk
An Obelisk is the sixth album from Titus Andronicus, which finds the noted rock band under the stewardship of producer and legendary rocker Bob Mould (Hüsker Dü, Sugar, et al.). This trans-generational meeting of the minds has yielded the most immediate, intense, and unadorned Titus Andronicus record to date. Clocking in it a brisk 38 minutes and change, it is also the shortest. Recorded over six breathless days at Steve Albini’s world-renowned Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus Andronicus, rock band, at it’s most irreducible, as monolithic as the album’s titular monument.
Mark Ronson: Late Night Feelings
the fifth studio album by British producer Mark Ronson. Includes “Nothing Breaks Like a Heart” (featuring Miley Cyrus), “Late Night Feelings” (featuring Lykke LI), “Don’t Leave Me Lonely”, and “Find U Again” (featuring Camila Cabello).
Jim Lauderdale: From Another World
Two-time Grammy winning Americana icon Jim Lauderdale returns with From Another World, a ten song collection of empathy, love, forgiveness and humility, an antidote to the anger and divisiveness of today’s world. McCartney-esque melodies, Dylan-esque lyrics, bluegrass, and twangy psychedelia collide on From Another World. Jim has once again opened his heart wide and delivered a beautiful record where country music still cries with the sound of pedal steel guitar and beautiful lyrics flow through aching indelible melodies.